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I do not like the idea of happiness — it is too momentary — I would say that I was always busy and interested in something — interest has more meanin… - Georgia O'Keeffe
" "I do not like the idea of happiness — it is too momentary — I would say that I was always busy and interested in something — interest has more meaning to me than the idea of happiness.
English
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About Georgia O'Keeffe
Georgia Totto O'Keeffe (15 November 1887 – 6 March 1986) was an American modernist painter. She was known for her paintings of enlarged flowers, New York skyscrapers, and New Mexico landscapes. O'Keeffe has been called the "Mother of American modernism". O'Keeffe is a major figure in American art. She is chiefly known for paintings in which she synthesizes abstraction and representation in paintings of flowers, rocks, shells, animal bones and landscapes. Her paintings present crisply contoured forms that are replete with subtle tonal transitions of varying colors, and she often transformed her subject matter into powerful abstract images.
Also Known As
Pen Names:
Okeef, Georgia
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Okeefe, Georgia
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O'Keeffe, Georgia Totto
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Stieglitz, Georgia O'Keeffe
Alternative Names:
Mrs. Alfred Stieglitz
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Georgia O'Keeffe Stieglitz
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Alfred, Mrs. Stieglitz
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Georgia Totto O'Keeffe
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Georgia O' Keeffe
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Georgia Stieglitz
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O'Keeffe
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Georgia O’Keeffe
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Additional quotes by Georgia O'Keeffe
School and things that painters have taught me even keep me from painting as I want to. I decided I was a very stupid fool not to be at least paint as I wanted to and say what I wanted to when I painted as that seemed to be the only thing I could do that didn't concern anybody but myself.. .I found that I could say things with colour and shapes that I couldn't say in any other way things that I had no words for.
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Dear Anita [ w:Anita Pollitzer ], don't forget w:Mary Cassatt [as one of her inspirations] — and I am not sure that your new paragraph will hold water [(Anita had sent her a chapter of the biography she was writing about Georgia] — We [artists] probably all derive from something — with some it is more obvious than with others — so much so that we can not escape a language of line that has been growing in meaning since the beginning of lines.
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