Der des Jargons Kundige braucht nicht zu sagen, was er denkt, nicht einmal recht es zu denken: das nimmt der Jargon ihm ab und entwertet den Gedanken. - Theodor W. Adorno

The aim of jazz is the mechanical reproduction of a regressive moment, a castration symbolism. 'Give up your masculinity, let yourself be castrated,' the eunuchlike sound of the jazz band both mocks and proclaims, 'and you will be rewarded, accepted into a fraternity which shares the mystery of impotence with you, a mystery revealed at the moment of the initiation rite.

I remember well a junior seminar I gave with Paul Tillich shortly before the outbreak of the Third Reich. A participant spoke out against the idea of the meaning of existence. She said life did not seem very meaningful to her and she didn't know whether it had a meaning. The very voluble Nazi contingent became very excited by this and scraped the floor noisily with their feet. Now, I do not wish to maintain that this Nazi foot-shuffling proves or refutes anything in particular, but I do find it highly significant. I would say it is a touchstone for the relation of thinking to freedom. It raises the question whether thought can bear the idea that a given reality is meaningless and that mind is unable to orientate itself; or whether the intellect has become so enfeebled that it finds itself paralysed by the idea that all is not well with the world.

Marriage as a community of interests unfailingly means the degradation of the interested parties, and it is the perfidy of the world's arrangements that no one, even if aware of it, can escape such degradation. The idea might therefore be entertained that marriage without ignominy is a possibility reserved for those spared the pursuit of interests, for the rich. But the possibility is purely formal, for the privileged are precisely those in whom the pursuit of interests has become second-nature—they would not otherwise uphold privilege.