Every tribe has a responsibility to the workings of the universe; today as yesterday, human beings play an intrinsic role in the ongoing creation. - Paula Gunn Allen

The tribes seek—through song, ceremony, legend, sacred stories (myths), and tales—to embody, articulate, and share reality, to bring the isolated, private self into harmony and balance with this reality, to verbalize the sense of the majesty and reverent mystery of all things, and to actualize, in language, those truths that give to humanity its greatest significance and dignity. To a large extent, ceremonial literature serves to redirect private emotion and integrate the energy generated by emotion within a cosmic framework. The artistry of the tribes is married to the essence of language itself, for through language one can share one’s singular being with that of the community and know within oneself the communal knowledge of the tribe. In this art, the greater self and all-that-is are blended into a balanced whole, and in this way the concept of being that is the fundamental and sacred spring of life is given voice and being for all.

Beliefs, attitudes and laws such as these resulted in systems that featured all that is best in the vision of American feminists and in human liberation movements around the world. Yet feminists too often believe that no one has ever experienced the kind of society that empowered women and made that empowerment the basis of its rules of civilization. The price the feminist community must pay because it is not aware of the recent if not contemporary presence of gynarchical societies on this continent is unnecessary confusion, division, and much lost time. Wouldn't it be good for feminists to know that there have been recent social models from which its dream descends and to which its adherents can look for models?

The oral tradition is more than a record of a people’s culture. It is the creative source of their collective and individual selves.