As with most revolutions, the counterculture's call for total freedom quickly turned into a demand for total control. The phenomenon of 'political co… - Roger Kimball

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As with most revolutions, the counterculture's call for total freedom quickly turned into a demand for total control. The phenomenon of 'political correctness', with its speech codes and other efforts to enforce ideological conformity, was one predictable result of this transformation. What began at the University of California at Berkeley with the Free Speech Movement (called by some the 'Filthy Speech Movement'} soon degenerated into an effort to abridge freedom by dictating what could and could not be said about any number of politically sensitive issues.

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About Roger Kimball

Roger Kimball (born 1953) is an American art critic and conservative social commentator. He is the editor and publisher of The New Criterion and the publisher of Encounter Books.

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In short order, the unconventional became the established convention; the perverse was embraced as normal; the unspeakable was broadcast everywhere; the outrageous was met with enthusiastic applause.

Ginsberg turned out to be depressingly prescient when, after a heated argument with Norman Podhoretz in 1958, he yelled, 'We'll get you through your children!' For countless American families, that turned out to be only too true.

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The Beats, like their successors in the Sixties, have often been described as 'idealists'. But fantasies of total gratification are not the product of idealism. They arise from a narcissism that, finding the world unequal to its desires, retreats into a realm of heedless self-absorption. Modesty, convention, and self-restraint then appear as the enemies rather than as the allies of humanity. In this sense, the Beat generation marks a step away from civilization.

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