There is, so I believe, in the essence of everything, something that we cannot call learning. There is, my friend, only a knowledge — that is everywh… - Hermann Hesse

The "music of decline" had sounded, as in that wonderful Chinese fable; like a thrumming bass on the organ its reverberations faded slowly out over decades; its throbbing could be heard in the corruption of the schools, periodicals, and universities, in melancholia and insanity among those artists and critics who could still be taken seriously; it raged as untrammeled and amateurish overproduction in all the arts.

If a man does not think too much, he rejoices at rising in the morning, and at eating and drinking. He finds satisfaction in them and does not want them to be otherwise. But if he ceases to take things for granted, he seeks eagerly and hopefully during the course of the day for moments of real life, the radiance of which makes him rejoice and obliterates the awareness of time and all thoughts on the meaning and purpose of everything. One can call these moments creative, because they seem to give a feeling of union with the creator, and while they last, one is sensible of everything being necessary, even what is seemingly fortuitous. It is what the mystics call union with God. Perhaps it is the excessive radiance of these moments that make everything else appear so dark. Perhaps it is the feeling of liberation, the enchanting lightness and the suspended bliss that make the rest of life seem so difficult, demanding and oppressive. I do not know. I have not travelled very far in thought and philosophy. However I do know that if there is a state of bliss and a paradise, it must be an uninterrupted sequence of such moments, and if this state of bliss can be attained through suffering and dwelling in pain, then no sorrow or pain can be so great that one should attempt to escape from it.

I remember a select little group with which we traveled and camped together for some days ; this group had undertaken to liberate some captive League brothers and the Princess Isabella from the hands of the Moors. It was said that they were in possession of Hugo’s horn, and among them were my friends the poet Lauscher and the artists Klingsor and Paul Klee ; they spoke of nothing else but Africa and the captured princess, and their Bible was the book of the deeds of Don Quixote, in whose honor they thought of making their way across Spain. It was very pleasant whenever we met one of these groups, to attend their feasts and devotions and to invite them to ours, to hear about their deeds and plans, to bless and know them on parting ; they went their way, we went ours. p. 20