Now, in the acting world, you see a lot more of the "all ethnicities" roles out there. I see more of my fellow Latinas rising up, and that makes me very proud. There are not as many Hispanic leading ladies out there as I would like, but I want to help change that in the future. I am blessed with the opportunities I have been given and I am extremely proud of where I come from. I would not have it any other way.

I had an acting teacher who once told me that you could never really create from comfort. To do well as an actress, you have to push yourself to the edge. When you're comfortable, you're still on your ass. Sometimes we sit on our ass even with things we don't like. The whining, the crying, the becoming the victim, the this-town-doesn't-like-me-because-I'm-Mexican could've all made me say, "That's it — racism takes care of all my problems." … I think that's why it's harder for us to succeed, because we have a beautiful, comfortable crutch. It's right there, available.

When I arrived in Los Angeles and began going on auditions, I was never considered for Latina roles. I was "ethnic" but not decidedly Latina looking. If they were hiring a Latina to play a Latina, they wanted her to "look like a Latina" e.g. high cheek bones, dark skin and a mane of black hair. Well, I just couldn't get arrested by casting directors as a Latina. I think this led to the realization that I was going to have to blaze a trail for myself because I didn't fit into one particular "type."…

…Back then, it was very difficult for Latinos to even play their own roles, even if it was written for a Latin character. This was an event where they were actually changing the role to make it Latin, and I was just very proud to be able to change it. To not only have this be my first acting role, but have it be a little bit groundbreaking…

I have been blessed that I wasn't pigeonholed into that. Those roles didn't come to me because I didn't have an accent. They'd ask, 'Couldn't you do it a little more feisty, fiery, Latin.' I'd respond with, 'I'm sorry, were you getting Jewish fire? Because I am Latin.' Even though I am very tied to and close to my heritage, I learned Spanish in college, I didn't grow up with it. Growing up in South Texas is different from Miami or L.A. where it is a necessity to speak Spanish.

The perception of you is one thing. You're this famous person, and now you're this famous person who's a bombshell. So all of a sudden, that's the only way I get jobs. So I have to become the part. And they're telling you this is the way to do it. One director actually said to me, "I want to hear you talk dumber and faster." … He thought it was funny for the girl to be dumb. I finally said, "That's it, man — I can't do this anymore." I'd go to meetings during the filming of a movie, and the directors would ask, "What do you think of the script?" I'd say, "It has a lot of problems." They were confused. That's not what they wanted from me. … So I was not very popular. At one point I said, "I don't want to do this — it's not my dream." And so I said, "I'm going to start a company. I am going to create projects for me. I'm going to create projects for other Latin women." Because I got to a point where I was whining all the time. I was miserable. I was desperate

…The Latino characters that are shown on TV or in movies seem to be pretty one-dimensional. They’re gang members or cleaning stuff in the background. Here’s a college education family that talks about art. That’s not something you see often but it’s real. It’s something that exists. People are like, “That’s so universal!” And I’m like, “Of course it is! What did you think?” It’s a human story. I believe there can be harmony. I believe we can be different and still have that. Hopefully my plays reflect this idea.

In the beginning I felt like I wasn’t represented on stage or on film. As Latinos, we have been told in every which way that we don’t matter, that we are invisible — especially people who are indigenous, people who value their Native American roots. We’ve been eradicated, made invisible, and that’s one way that we’ve been disempowered. So, I realized the most powerful thing you can do is to own your humanity…

…There are assumptions made about the kind of work Latinos make. I think that remains a challenge because when people are looking for Latino plays, they’re looking for plays of that “type.” Some of that gets defined by your ethnicity…

I do feel that I have to use my voice for those that don’t have one. I have to do the best I can in my own work to represent my culture, represent the women of my country, of Latin America. What we stand for. What we’re made of. I feel like there is a part of me that represents a minority in the US, a minority around the world. People who struggle, people who want to succeed with drive and ambition. So, people who want to try – yeah, I do feel in a way like an ambassador, for all of those.

I can only speak for myself, but as an actor i wasn’t like, “I’m going to challenge the way people see Latin people.” I was just happy to get roles. I tried to find new material in characters, but I wasn’t post-race about it or anything like that. I was just looking at it as just work. I wasn’t framing myself, so I wasn’t framing characters. Now I see the importance of playing [certain types of] characters. I’m not necessarily choosing characters that go against stereotypes, I’m choosing characters that you don’t even have time to question where they would fit in. Or what box they would fit into.

Because there was no industry or parts for Latin women when I came here, there was really no competitiveness. Jennifer Lopez and I were the first, and I think Jennifer was my partner at the beginning. I think it was important for others to see two of us, because maybe then we could be thought of as a social phenomenon. Because she doesn't have a foreign accent, Jennifer tried out for parts I couldn't get. There are now others with accents — Penelope Cruz, Antonio Banderas — but mind you, Antonio and Penelope are from Europe, not Mexico. It's only now that the taboo on Mexicans is lifting as Americans realize we're a little bit more than migrant workers. I hear some Latinos say, "Oh, no, no, no, the cliché that we are gang members, that's so bad — we have to show everyone that we're family people." Hello? That's another cliché! It's getting yourself out of one box to put yourself in another. The way to fight a cliché is not by creating another one. What breaks the cliché is the emergence of strong individuals. That's the way to say, "You don't really know us — so when you look at me, or when you look at my sister, just be completely open for whatever. You have no clue who we are!" Here people don't know what box to put me into. I'm not from the Bronx, I'm not from East L.A., so they don't know how to take me or what to call me!

When I’m asked who I am, I say, “I am a Latin American.” The experience of being born and living in my country shaped me as a person — often a problematic one — and as a writer. I am a Latin American woman, which also implies a number of challenges: growing up without laws that allowed us to make decisions about our bodies (those laws exist now, but I am 50 years old) and fighting in a labor market that, in addition to being sexist, is scant and limited. Not only are jobs given to men because they are men, but because there is a lot of unemployment in general, and the chain breaks at its weakest link.

…There’s momentum about making our presence known. We’re here. We’re Latino playwrights and theatre professionals. Eventually there’s going to be a tipping point and more of our stories will become part of the American canon. I write what I know and for now I focus on Latinos because going through school, I longed to read about my experience…