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" "There needs but so little to encourage beauty in our soul; so little to awaken the slumbering angels; or perhaps is there no need of awakening — - it is enough that we lull them not to sleep. It requires more effort to fall, perhaps, than to rise. Can we, without putting constraint upon ourselves, confine our thoughts to everyday things at times when the sea stretches before us, and we are face to face with the night? And what soul is there but knows that it is ever confronting the sea, ever in presence of an eternal night?
Count Maurice Polydore Marie Bernard Maeterlinck (29 August 1862 – 6 May 1949) was a Belgian poet, playwright, and essayist who wrote in French, most famous for his work L'Oiseau Bleu (The Blue Bird), and for other works exploring the meaning of life and death. He was awarded the Nobel Prize in Literature in 1911.
Biography information from Wikiquote
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There are other herbs endowed with spontaneous movements that are not so well known, notably the Hedysareæ, among which the Hedysarum gyrans, or Moving-plant, acts in a very restless and surprising fashion. This little Leguminosa, which is a native of Bengal, but often cultivated in our hothouses, performs a sort of perpetual and intricate dance in honour of the light. Its leaves are divided into three folioles, one wide and terminal, the two others narrow and planted at the base of the first. Each of these leaflets is animated with a different movement of its own. They live in a state of rhythmical, almost chronometrical and continuous agitation. They are so sensitive
Las más bellas morales humanas están todas fundadas sobre la idea de que es preciso luchar y sufrir para purificarse, elevarse y perfeccionarse; pero ninguna trata de explicar por qué es necesario empezar de nuevo sin cesar. ¿Dónde va, pues, en qué abismos infinitos se pierde, desde eternidades sin límites, lo que se ha elevado en nosotros y no ha dejado vestigios? ¿Por qué si el Anima Mundi es soberanamente sabia ha querido estas luchas y estos sufrimientos que jamás han llegado y que, por consecuencia, jamás llegarán al fin? ¿Por qué no haber puesto, al primer esfuerzo, todas las cosas al punto de perfección a que nosotros creemos que tienden? ¿Por qué es preciso merecer su dicha? Pero ¿qué méritos pueden tener los que luchan o sufren mejor que sus hermanos, puesto que la fuerza o la virtud que les anima no la tienen más que porque un poder exterior la ha puesto en ellos más propiciamente que en otros?
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