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Perhaps it was his return to Paris [In June 1919 Piet Mondrian returned to Paris] that was needed to provide him with fresh new possibilities in his … - Theo van Doesburg
" "Perhaps it was his return to Paris [In June 1919 Piet Mondrian returned to Paris] that was needed to provide him with fresh new possibilities in his work. Invigoration. His most recent work is without composition. The division of the picture plane is modular. That means ordinary rectangles, all the same size. The only contrast is in the colour. In my view, this runs counter to his theory concerning the abolition of position and dimension. This is in effect equality of position and dimension.
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About Theo van Doesburg
Theo van Doesburg (30 August 1883 – 7 March 1931) was a Dutch artist, practicing in painting, writing, poetry and architecture. He is best known as the founder and leader of De Stijl together with Piet Mondrian. Later he engaged himself more with Dadaism, in cooperation with Kurt Schwitters and Hans Arp.
Also Known As
Alternative Names:
Christiaan Emil Maria Kupper
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I. K. Bonset
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Christiaan Emil Maria Kupper Doesburg
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Christian Emil Marie Kupper
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Theo Van Doesburg
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Christiaan Emil Marie Küppers
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Aldo Camini
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C. E. M. Küpper
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Christian Emil Marie Küpper
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I.K. Bonset
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Doesburg
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Theo van Doesburg (Christian Emil Marie Küpper)
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in de stijl van Theo van Doesburg
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Additional quotes by Theo van Doesburg
Quote in Van Doesburg's article: 'Aantekeningen bij Bijlage 12 (Notes), De Zaag en de goudvischkom van P.Alma', by Theo van Doesburg; in art-magazine 'De Stijl' 1 8, June 1918, p. 93
Plastic expression in architecture is inconceivable without colour. Colour and light complete one another. Without colour architecture is expressionless, blind.. .If the Functionalists wish to suppress colour completely, then this merely proves that they never understood the importance of colour as an ‘architectural’ element, as a means of plastic expression, no matter whether used with iron, glass, or concrete.
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..the modern artist can conclude that impulsive and speculative production has come to an end. THE ERA OF DECORATIVE TASTE HAS VANISHED, the artist of today has finished completely with the past. Scientific and technical developments oblige him to draw conclusions.. ..to revise his means, to establish laws creating a system, that is to say, to master his elementary means of expression in a conscious manner.
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