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I'm thrilled that people can get something out of my music. I have to attribute that to integrity and honesty. I've found that people aren't really as different as they sometimes seem. We all have joy and tragedy in our lives. So it only follows that if I write something from my heart and stay true to myself, others will easily identify.
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Each person who ever was or is or will be has a song. It isn't a song that anybody else wrote. It has its own melody, it has its own words. Very few people get to sing their song. Most of us fear that we cannot do it justice with our voices, or that our words are too foolish or too honest, or too odd. So people live their song instead.
[On the lyrics of his songs] They meant a lot to my generation. And it's nice to know you've written songs that mean something to someone rather than some trivial pop dirge. I'm not thriving off a career slagging off the Queen. I think I have something valid to say. My words are my bullets. I like to brag that somehow I got it right.
My goal as an actor is always to be as truthful as possible, and to find the truth in the material I am representing. So I think that it’s the same with performing music. But in a way, performing your own music, it’s easier to find the truth in it, because it’s coming from yourself. There’s no translation needed.
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
Writing a good song is not mimicry, or replication, or pastiche, it is the opposite, it is an act of self-murder that destroys all one has strived to produce in the past. It is those dangerous, heart-stopping departures that catapult the artist beyond the limits of what he or she recognises as their known self. This is part of the authentic creative struggle that precedes the invention of a unique lyric of actual value; it is the breathless confrontation with one’s vulnerability, one’s perilousness, one’s smallness, pitted against a sense of sudden shocking discovery; it is the redemptive artistic act that stirs the heart of the listener, where the listener recognizes in the inner workings of the song their own blood, their own struggle, their own suffering.
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