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" "I was really shocked when I came out with my first book. At that time there were some Asian American men who were all we had of our literary community. And I expected, when my book came out, for them to say, welcome. Welcome to the community of artists. Because there are so few of us. So here's another one to add strength to our numbers. And, instead, the men just right away went into this big thing. It's a very crazy plot they have in their heads. Their assessment of the publishing industry is so wrong. (1989)
Maxine Hong Kingston (born October 27, 1940) is a Chinese American author and Professor Emerita at the University of California, Berkeley.
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(Your books are a lot about people's inhumanity to one another, so I wondered where you find comfort and balance?) MHK: I ask that of myself a lot: where are the sources of life so that you can renew yourself! I find help in nature. We should always remember to plop ourselves under the trees because every time I've ever done that I feel the earth giving me energy and the sky giving me perspective, and I come as close as I ever do to satori. Then I realize that life in the city cuts me up into pieces. I know that, and yet I don't leave it. All I have to do is go out into nature and it gives me strength to come back and work on. And I read-there are writers who give you life whether or not they write well, it's very odd. I feel that way about Anaïs Nin, who sometimes I don't think writes well. I re-read Orlando whenever I feel stuck, and I read poetry. (1986)
I feel so bad sometimes thinking of this great oral tradition, and along comes somebody like me who writes it down. People go to the library and pull out a book and say, "Here's the authentic story." It's not! That was only the odd person who came along, like Homer, and wrote it down. It's the same thing with the Chinese. Most of the tradition was oral and then someone came along and wrote it down.