Everything I have written in these lectures underlines the importance to the intellectual of passionate engagement, risk, exposure, commitment to pri… - Edward Said

Never has the media been so influential in determining the course of war as during the Al-Aqsa Intifada, which, as far as the Western media are concerned, has essentially become a battle over images and ideas. Israel has already poured hundreds of millions of dollars into what in Hebrew is called hasbara, or information for the outside world (hence, propaganda). This has included an entire range of efforts: lunches and free trips for influential journalists; seminars for Jewish university students who, over a week in a secluded country estate, can be primed to “defend” Israel on the campus; bombarding congressmen and women with invitations and visits; pamphlets and, most important, money for election campaigns; directing (or, as the case requires, harassing) photographers and writers of the current intifada into producing certain images and not others; lecture and concert tours by prominent Israelis; training commentators to make frequent references to the Holocaust and Israel’s predicament today; many advertisements in the newspapers attacking Arabs and praising Israel; and on and on. Because so many powerful people in the media and publishing business are strong supporters of Israel, the task is made vastly easier.

So long as they believe in the miracle of an Israel separated from its circumstances and environment—a bizarre notion that Sharon’s election campaign has encouraged—Israeli Jews resemble members of a cult rather than citizens of a modern secular state. And in some ways, it is true that Israel’s early history as a pioneering new state was that of a utopian cult, sustained by people much of whose energy was in shutting out their surroundings while they lived the fantasy of a heroic and pure enterprise. How damaging and how tragic this collective delusion has been is more evident with the passing of each day, and which the coming to power of so anachronistic and ill-suited a figure as the discredited Sharon brings to a garish, bizarre new light. How long will the awakening take, and how much more pain will have to be felt, before the opening of eyes is fully accomplished?

Culture can be used as a screen between the members of that culture and some of the horrid practices that occur, sometimes in the name of culture. Culture can become a way of disguising the reality, so that one can say "Well we're not just a people who flayed all these buggers and niggers out there, we're a people who produced Titian and we produced Michelangelo." And Arnold, I think, meant it that way. For him culture was a way of stemming the tide of rebellion. It was a way of pacifying, of mystifying.