Culture can be used as a screen between the members of that culture and some of the horrid practices that occur, sometimes in the name of culture. Culture can become a way of disguising the reality, so that one can say "Well we're not just a people who flayed all these buggers and niggers out there, we're a people who produced Titian and we produced Michelangelo." And Arnold, I think, meant it that way. For him culture was a way of stemming the tide of rebellion. It was a way of pacifying, of mystifying.
Palestinian-American professor (1935–2003)
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Simply to make a temporary security agreement now is both futile and immoral. Besides, no such agreement can last, so long as Israeli settlements are still being constructed while Palestinians remain locked up in their collective prison. The only negotiations worth anything now must be about the terms of an Israeli withdrawal from all the territories occupied in 1967. Anything else is a waste of our time as a people.
In a globalized world, in which politics and information are virtually equivalent, Palestinians can no longer afford to shirk a task that, alas, the leadership is simply incapable of comprehending. It must be done if the loss of life and property is to be stopped, and if liberation, not unending servitude to Israel, is the real goal. The irony is that truth and justice are on the Palestinian side, but until Palestinians themselves make that readily apparent—to the world in general, to themselves, to Israelis and Americans in particular—neither truth nor justice can prevail. For a people that has already endured a century’s injustice, surely a proper politics of information is quite possible. What is needed is a redirected and refocused will to victory over military occupation and ethnically and religiously based dispossession.
I’ve always been interested in what gets left out. That’s why I’m interested in the figure from the “Ode on a Grecian Urn,” the “silent form” that “dost tease us out of thought.” That’s why I’m interested in Raymond Williams’s discussion of the country house poems, where the representation of the country house necessarily excludes the silence of the peasants who have been driven off the land; or the fields that have been manicured to produce the beautiful spaces that Jane Austen exploits in her novels, where livelihood is transformed into property. I’m interested in the tension between what is represented and what isn’t represented, between the articulate and the silent. For me, it has a very particular background in the questioning of the document. What does the document include? What doesn’t it include? That’s why I have been very interested in attempts of the Subaltern Studies Collective, and others, to talk about excluded voices.
Israel is now waging a war against civilians, pure and simple, although you will never hear it put that way in the United States. This is a racist war and, in its strategy and tactics, a colonial one as well. People are being killed and made to suffer disproportionately because they are not Jews. What an irony! Yet CNN never refers to “occupied” territories (always rather to “violence in Israel,” as if the main battlefields were the concert halls and cafés of Tel Aviv and not in fact the ghettos and besieged refugee camps of Palestine that have already been surrounded by no less than 150 illegal Israeli settlements). For the past ten years, the great fraud of Oslo was foisted on the world by the United States, with hardly an awareness that only 18 percent of the West Bank was given up, and 60 percent of Gaza. No one knows geography, and it’s better not to know, since the reality on the ground is so astonishing, considering the verbal hoopla and self-congratulation.
And that pseudo-pundit—the insufferably conceited Thomas Friedman—still has the gall to say that “Arab TV” shows one-sided pictures, as if “Arab TV” should be showing things from Israel’s point of view the way CNN does, with “Mideast violence” the catchall word for the ethnic cleansing that Israel is wreaking on the Palestinians in their ghettos and camps. Has Friedman (or CNN, for that matter) ever tried to point out the difference between an attacking army fighting a colonial war on the territory of the people it has occupied for thirty-five years, and the people defending against that butchery? Of course not, for indeed why should Friedman ever bother to say honestly that there is no Palestinian occupation, there are no Palestinian F-16s, no Apache helicopters, no gunboats, no Merkava tanks, in short, no Palestinian occupation of Israel. So much for Friedman’s credentials as an honest commentator and reporter, who has utterly failed in unadorned terms both to explain the U.S. view and to understand the Arab and Palestinian cause. Can he not see that he and his writings are part of the problem, that in their maundering selfjustifications and their dishonesty, showing no sign of the self-criticism he keeps hectoringly expecting of others, he actually aggravates the ignorance and the misperceptions rather than reducing them? Poor journalist and educator, he.
Never has the media been so influential in determining the course of war as during the Al-Aqsa Intifada, which, as far as the Western media are concerned, has essentially become a battle over images and ideas. Israel has already poured hundreds of millions of dollars into what in Hebrew is called hasbara, or information for the outside world (hence, propaganda). This has included an entire range of efforts: lunches and free trips for influential journalists; seminars for Jewish university students who, over a week in a secluded country estate, can be primed to “defend” Israel on the campus; bombarding congressmen and women with invitations and visits; pamphlets and, most important, money for election campaigns; directing (or, as the case requires, harassing) photographers and writers of the current intifada into producing certain images and not others; lecture and concert tours by prominent Israelis; training commentators to make frequent references to the Holocaust and Israel’s predicament today; many advertisements in the newspapers attacking Arabs and praising Israel; and on and on. Because so many powerful people in the media and publishing business are strong supporters of Israel, the task is made vastly easier.
Whatever the case, the publication of “What Are American Values?” augurs a new and degraded era in the production of intellectual discourse. For when the intellectuals of the most powerful country in the history of the world align themselves so flagrantly with that power, pressing that power’s case instead of urging restraint, reflection, genuine communication, and understanding, we are back to the bad old days of the intellectual war against communism, which we now know brought far too many compromises, collaborations, and fabrications on the part of intellectuals and artists who should have played an altogether different role. Subsidized and underwritten by the government (the CIA especially, which went so far as to provide for the subvention of magazines like Encounter, underwrote scholarly research, travel, and concerts as well as artistic exhibitions), those militantly unreflective and uncritical intellectuals and artists in the 1950s and 1960s brought the whole notion of intellectual honesty and complicity a new and disastrous dimension. For along with that effort went also the domestic campaign to stifle debate, intimidate critics, and restrict thought. For many Americans, like myself, this is a shameful episode in our history, and we must be on our guard against and resist its return.
The prevailing situation of criticism ... has given rise to a cult of professional expertise whose effect in general is pernicious. For the intellectual class, expertise has usually been a service rendered, and sold, to the central authority of society. This is the trahison des clercs of which Julien Benda spoke in the 1920s. Expertise in foreign affairs, for example, has usually meant the legitimization of the conduct of foreign policy and, what is more to the point, a sustained investment in revalidating the role of experts in foreign affairs. The same sort of thing is true of literary critics and professional humanists, except that their expertise is based upon noninterference in what Vico grandly calls the world of nations but which prosaically might just as well be called “the world.” We tell our students and our general constituency that we defend the classics, the virtues of a liberal education, and the precious pleasures of literature even as we also show ourselves to be silent (perhaps incompetent) about the historical and social world in which all these things take place. ... <p>Humanists and intellectuals accept the idea that ... cultural types are not supposed to interfere in matters for which the social system has not certified them.
The Israeli military causes immense damage to Palestinians day after day: more innocent people are killed, their land destroyed or confiscated, their houses bombed and demolished, their movements circumscribed or stopped entirely. Thousands of civilians cannot find work, go to school, or receive medical treatment as a result of these Israeli actions. Such arrogance and suicidal rage against the Palestinians will bring no results except more suffering and more hatred, which is why in the end Sharon has always failed and resorted to useless murder and pillage. For our own sakes, we must rise above Zionism’s bankruptcy and continue to articulate our own message of peace with justice. If the way seems difficult, it cannot be abandoned. When any of us is stopped, ten others can take his or her place. That is the genuine hallmark of our struggle, and neither censorship nor base complicity with it can prevent its success.
The central fact for me is, I think, that the [role of the] intellectual ... cannot be played without a sense of being someone whose place it is publicly to raise embarrassing questions, to confront orthodoxy and dogma (rather than to produce them), to be someone who cannot easily be co-opted by governments or corporations, and whose raison d'être is to represent all those people and issues that are routinely forgotten or swept under the rug.
As the Arab world spins into further incoherence and shame, it is up to every one of us to speak up against these terrible abuses of power. No one is safe unless every citizen protests what in effect is a reversion to medieval practices of autocracy. If we accuse Israel of what it has done to the Palestinians, we must be willing to apply exactly the same standards of behavior to our own countries. This norm is as true for the American as for the Arab and the Israeli intellectual, who must criticize human rights abuses from a universal point of view, not simply when they occur within the domain of an officially designated enemy. Our own cause is strengthened when we take positions that can be applied to all situations, without conditions such as saying “I disagree with his views, but” as a way of lessening the difficulty and the onus of speaking out. The truth is that, as Arabs, all we have left now is the power of speaking out, and unless we exercise that right, the slide into terminal degeneration cannot ever be stopped. The hour is very late . . .
Every single empire in its official discourse has said that it is not like all the others, that its circumstances are special, that it has a mission to enlighten, civilize, bring order and democracy, and that it uses force only as a last resort. And, sadder still, there always is a chorus of willing intellectuals to say calming words about benign or altruistic empires, as if one shouldn't trust the evidence of one's eyes watching the destruction and the misery and death brought by the latest mission civilizatrice.
[An elaborated culture has a] density, complexity, and historical-semantic value that is so strong as to make politics possible... Gramsci's insight is to have recognised that subordination, fracturing, diffusion, reproducing, as much as producing, creating, forcing, guiding, are necessary aspects of elaboration.