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" "Whatever the case, the publication of “What Are American Values?” augurs a new and degraded era in the production of intellectual discourse. For when the intellectuals of the most powerful country in the history of the world align themselves so flagrantly with that power, pressing that power’s case instead of urging restraint, reflection, genuine communication, and understanding, we are back to the bad old days of the intellectual war against communism, which we now know brought far too many compromises, collaborations, and fabrications on the part of intellectuals and artists who should have played an altogether different role. Subsidized and underwritten by the government (the CIA especially, which went so far as to provide for the subvention of magazines like Encounter, underwrote scholarly research, travel, and concerts as well as artistic exhibitions), those militantly unreflective and uncritical intellectuals and artists in the 1950s and 1960s brought the whole notion of intellectual honesty and complicity a new and disastrous dimension. For along with that effort went also the domestic campaign to stifle debate, intimidate critics, and restrict thought. For many Americans, like myself, this is a shameful episode in our history, and we must be on our guard against and resist its return.
Edward Wadie Said (November 1, 1935 – September 24, 2003) was a Palestinian American literary theorist and public intellectual involved in founding the critical-theory field of postcolonialism.
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The central fact for me is, I think, that the [role of the] intellectual ... cannot be played without a sense of being someone whose place it is publicly to raise embarrassing questions, to confront orthodoxy and dogma (rather than to produce them), to be someone who cannot easily be co-opted by governments or corporations, and whose raison d'être is to represent all those people and issues that are routinely forgotten or swept under the rug.
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Culture can be used as a screen between the members of that culture and some of the horrid practices that occur, sometimes in the name of culture. Culture can become a way of disguising the reality, so that one can say "Well we're not just a people who flayed all these buggers and niggers out there, we're a people who produced Titian and we produced Michelangelo." And Arnold, I think, meant it that way. For him culture was a way of stemming the tide of rebellion. It was a way of pacifying, of mystifying.