I’ve always been interested in what gets left out. That’s why I’m interested in the figure from the “Ode on a Grecian Urn,” the “silent form” that “d… - Edward Said

In the most compelling part of Black Athena, Bernal goes on to show how with the growth of European, and in particular German, nationalism, the original mixed portrait of Attic Greece that obtained into the eighteenth century was gradually expunged of all its non-Aryan elements, just as many years later the Nazis decided to burn all books and ban all authors who were considered non-German, non-Aryan. So from being the product of an invasion from the South (i.e., Africa), as in reality it really was, classical Greece was progressively transformed into the product of an invasion from the Aryan North. Purged of its troublesome non-European elements, Greece thereafter has stood in the Western self-definition—an expedient one, to be sure—as its fons et origo, its source of sweetness and light. The principle underlined by Bernal is the extent to which pedigrees, dynasties, lineages, predecessors are changed to suit the political needs of a later time. Of the unfortunate results this produced in the case of a self-created white Aryan European civilization none of us here need to be convinced.

It isn't at all a matter of being optimistic, but rather of continuing to have faith in the ongoing and literally unending process of emancipation and enlightenment that, in my opinion, frames and gives direction to the intellectual vocation.

The prevailing situation of criticism ... has given rise to a cult of professional expertise whose effect in general is pernicious. For the intellectual class, expertise has usually been a service rendered, and sold, to the central authority of society. This is the trahison des clercs of which Julien Benda spoke in the 1920s. Expertise in foreign affairs, for example, has usually meant the legitimization of the conduct of foreign policy and, what is more to the point, a sustained investment in revalidating the role of experts in foreign affairs. The same sort of thing is true of literary critics and professional humanists, except that their expertise is based upon noninterference in what Vico grandly calls the world of nations but which prosaically might just as well be called “the world.” We tell our students and our general constituency that we defend the classics, the virtues of a liberal education, and the precious pleasures of literature even as we also show ourselves to be silent (perhaps incompetent) about the historical and social world in which all these things take place. ... <p>Humanists and intellectuals accept the idea that ... cultural types are not supposed to interfere in matters for which the social system has not certified them.