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You come out of a meeting and you've put on a mask, which involves looking people in the eye, using certain mannerisms, certain phrases. Even if you learn to do it in a very seamless sort of way, you're still putting on an act. It's a very ex-hausting act.

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One of the things I enjoy the most is the thrill of stepping into different characters and fully immersing myself in their world. It’s like going on an adventure every time I take on a new role. Exploring their backgrounds, motivations, and emotions is like unlocking a treasure trove of human experiences. It allows me to stretch my creativity and push the boundaries of what I thought was possible.* When you’re playing someone, I feel the character taking over me, but I am also influencing the character. Becoming embodied in the character on set is, what I think, makes a really powerful actor. If the character is good enough in a script, it really affects you. This is why I try and become the character for one or two weeks.

As an actress, it’s not only about looking good on camera, but being able to deliver the right emotions for the characters you play. This makes you more attractive on the screen. That’s why I focus more on acting rather than my appearance. Sometimes, I don’t even bother taking out the mirror to fix my makeup before filming.

People tend to wear the mask that shows them off in the best possible light—humble, confident, diligent. They say the right things, smile, and seem interested in our ideas. They learn to conceal their insecurities and envy. If we take this appearance for reality, we never really know their true feelings, and on occasion we are blindsided by their sudden resistance, hostility, and manipulative actions. Fortunately, the mask has cracks in it. People continually leak out their true feelings and unconscious desires in the nonverbal cues they cannot completely control—facial expressions, vocal inflections, tension in the body, and nervous gestures. You must master this language by transforming yourself into a superior reader of men and women. Armed with this knowledge, you can take the proper defensive measures. On the other hand, since appearances are what people judge you by, you must learn how to present the best front and play your role to maximum effect.

Most actors possess an intuitive side. Actually, the further away I am from the character, the less work I have to do. It takes so much more energy to detach yourself from your own life references that might cross wires with your character's. I think it's cheating for me to ever use my life references in conjunction with my characters. It's my reaction transferred to the character, which isn't good. What I have to do is erase those things and then find something else. I can't stand in front of a camera and let anything of myself come through or I'm betraying the character's complete trueness. There are some actors who just use themselves. They can wear their ego on their sleeve and it looks great. I can't do that.

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As an actor, you are required to immerse yourself into a role, so much that you can’t afford to have any airs and graces.If I have to play a market woman for instance, I would have to portray such a role as naturally as possible. In doing this, I would have to let go of the ex-beauty queen or diva toga.

Acting is a very powerful tool that allows me to communicate with people. Very often, I can express myself more in acting than in everyday life. I would like to be able to tell a character with a strong story behind them. I want to be able to give a message of strength, of positivity, of courage. It would be interesting to be able to give a voice to a person who lives in dark moments but manages to draw a chance for change. Also, it would be very interesting to be able to experience a girl who is far from who I am in reality and who allows me to be able to talk about sensitive topics such as bullying.

As an actor, I love the ability to immerse myself in different characters and bring stories to life. Acting allows you to explore diverse emotions, experiences, and perspectives, enabling you to connect with audiences on an emotional level.

When you have a good actor, in good makeup, and he's been sitting in the makeup chair looking at himself in the mirror, seeing himself become something else, and then he walks onto a set and he knows where he is, he knows what he looks like, he gives a performance that he's never going to give on a motion-capture stage.

I don’t believe that looks matter (as an important trait in acting). One’s look can be a plus, but there are different characters (in a movie). It’s not always about looking good in front of the camera. One has to be able to strip oneself of all that. Also, one has to be versatile and be able to let go of the glam, and get down dirty and get into characters,

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