For many of us the initial feminist understanding came as a kind of explosion: shattering, scattering, everything tumbling about, the old world withi… - Vivian Gornick

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For many of us the initial feminist understanding came as a kind of explosion: shattering, scattering, everything tumbling about, the old world within splintering even as the new one was collecting. But there were moments of perfect, clarifying calm when the thing, as it were, was "grasped whole." And these moments were there from the very beginning, then lost, then recovered, again lost, again recovered, lurching forward in the unshapely manner of one proceeding through uncharted territory with a compass that works only intermittently.

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About Vivian Gornick

Vivian Gornick (born June 14, 1935) is an American radical feminist critic, journalist, essayist, and memoirist.

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What Marxists share with capitalists is a profound belief that we are all defined, utterly and entirely, by our functional circumstances in The System. And, indeed, no one could deny the truth of this insight; certainly, I would never deny it. Nevertheless, for me, the beauty of feminism is that it is a social and political movement that has redefined the power and obligation of the self: self-possession and self-regulation as a tool for social reform. ("The Price of Paying Your Own Way")

One's own best self. For centuries, this was the key concept behind any essential definition of friendship: that one's friend is a virtuous being who speaks to the virtue in oneself. How foreign such a concept to the children of the therapeutic culture! Today we do not look to see, much less affirm, our best selves in one another. To the contrary, it is the openness with which we admit to our emotional incapacities - the fear, the anger, the humiliation - that excites contemporary bonds of friendship. Nothing draws us closer to one another than the degree to which we face our deepest shame openly in one another's company... What we want is to feel known, warts and all: the more warts the better. It is the great illusion of our culture that what we confess to is who we are.

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If a memoir is to achieve literature, it has to have an organizing principle, it has to have an idea, it has to have something that will be of value to the disinterested reader. And that doesn’t happen so often, because most people who are writing memoirs are not writers...The ability to turn yourself into a persona who is able to generate drama, narrative drive, conflict, all the things that are required, is very hard, and not too many people achieve it.

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