Bulgarian writer
Maria Popova (born 28 July 1984) is a Bulgarian-born, American-based essayist, book author, poet, and writer of literary and arts commentary and cultural criticism that has found wide appeal both for her writing and for the visual stylistics that accompany it.
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Unlike the prose of letters, pinned to the physical and emotional reality of the present, in poetry the imagination is allowed to travel between fact and fantasy, to traverse present, past, and future, so that the reader, and perhaps even the writer, is never quite sure — nor need ever ask — to what extent the images evoked correspond to the intersection of matter and moment we call reality.
We know from the now-iconic 1970s Good Samaritan study that the single greatest predictor of uncaring, unkind, and uncompassionate behavior, even among people who have devoted their lives to the welfare of others, is a perceived lack of time — a feeling of being rushed. The sense of urgency seems to consume all of our other concerns — it is the razor’s blade that severs our connection to anything outside ourselves, anything beyond the task at hand, and turns our laser-sharp focus of concern onto the the immediacy of the self alone.
The lazy hand grenade of “spinster” had been thrown and would be thrown at Carson many times, having been clenched in the unevolved fist of culture for more than a century since the landmark Woman’s Rights Convention was derided as comprising “old maids, whose personal charms were never very attractive.