Maria Popova Quotes

It is a beautiful impulse–to contain the infinite in the finite, to wrest order from the chaos, to construct a foothold so we may climb toward higher truth. It is also a limiting one, for in naming things we often come to mistake the names for the times themselves.

"What makes a person "the same" person across life's tectonic upheavals of circumstance and character? Amid the chaos and decay toward which the universe inclines, we grasp for stability and permanence by trying to carve out a solid sense of self in our blink of existence. But there is no solidity. Every quark of every atom of every cell in your body had been replaced since the time of your first conscious memory, your first word, your first kiss. In the act of living, you come to dream different dreams, value different values, love different loves. In a sense, you are reborn with each new experience."

the most critical thing an aspiring writer can do, I think, is to always know why he or she is doing it and for whom. It’s fine to find gratification in the approval of others or in financial success or in any other extrinsic reward, but it’s toxic to make that approval or prestige the motive to write.

I think the history of our species is mistaking the limits of the known for the limits of the knowable.

Questions of meaning are a function of human life, but they are not native to the universe itself — meaning is not what we find, but what we create with the lives we live and the seeds we plant and the organizing principles according to which we sculpt our personhood.

Guilt is the flip side of prestige and they’re both horrible reasons to do something.

Even the farthest seers can't bend their gaze beyond their era's horizon of possibility, but the horizon shifts with each incremental revolution as the human mind peers outward to take in nature, then turns inward to question its own givens. We sieve the world through the mesh of these certitudes, tautened by nature and culture, but every once in a while — whether by accident or conscious effort — the wire loosens and the kernel of revolution slips through.

We go through life seeing reality not as it really is, in its unfathomable depths of complexity and contradiction, but as we hope or fear or expect it to be. Too often, we confuse certainty for truth and the strength of our beliefs for the strength of the evidence. When we collide with the unexpected, with the antipode to our hopes, we are plunged into bewildered despair. We rise from the pit only by love. Perhaps Keats had it slightly wrong — perhaps truth is love and love is truth.

This is the power of art: The power to transcend our own self-interest, our solipsistic zoom-lens on life, and relate to the world and each other with more integrity, more curiosity, more wholeheartedness.

Bernstein quoted from a speech Kennedy would have delivered a few hours before the assassination: “America’s leadership must be guided by learning and reason.” The loss he said, was only deepened by the awareness that it had been the product of the exact antipodes of learning and reason — “ignorance and hatred.” … “Learning and Reason: those two words of John Kennedy’s were not uttered in time to save his own life; but every man can pick them up where they fell, and make them part of himself, the seed of that rational intelligence without which our world can no longer survive. This must be the mission of every man of goodwill: to insist, unflaggingly, at risk of becoming a repetitive bore, but to insist on the achievement of a world in which the mind will have triumphed over violence.

The cult of productivity has its place, but worshipping at its altar daily robs us of the very capacity for joy and wonder that makes life worth living.

Out of what we have suffered and do suffer comes that restlessness

to find meaning
to find beauty
to find wonder

to give voice and shape to what we feel

Meanwhile, someplace in the world, somebody is making love and another a poem. Elsewhere in the universe, a star manyfold the mass of our third-rate sun is living out its final moments in a wild spin before collapsing into a black hole, its exhale bending spacetime itself into a well of nothingness that can swallow every atom that ever touched us and every datum we ever produced, every poem and statue and symphony we’ve ever known — an entropic spectacle insentient to questions of blame and mercy, devoid of why.
“In four billion years, our own star will follow its fate, collapsing into a white dwarf. We exist only by chance, after all. The Voyager will still be sailing into the interstellar shorelessness on the wings of the “heavenly breezes” Kepler had once imagined, carrying Beethoven on a golden disc crafted by a symphonic civilization that long ago made love and war and mathematics on a distant blue dot.
But until that day comes, nothing once created ever fully leaves us. Seeds are planted and come abloom generations, centuries, civilizations later, migrating across coteries and countries and continents. Meanwhile, people live and people die — in peace as war rages on, in poverty and disrepute as latent fame awaits, with much that never meets its more, in shipwrecked love.
I will die.
You will die.
The atoms that huddled for a cosmic blink around the shadow of a self will return to the seas that made us.
What will survive of us are shoreless seeds and stardust.

One of the saddest tendencies in our present culture is an indignant intolerance for the basic humanity of being human. People of the past are harshly judged by the standards of the present (which their own difficult lives helped establish), and people of the present are harshly judged by impossible (and hypocritical, in the full context of any judger’s life) standards of uniform perfection across all regions of private and public existence. And yet the eternal test of character — our great moral triumph — is the ability to face our own imperfections with composure, reflecting on them with lucid and luminous determination to do better — an essential form of moral courage all the more difficult, and all the more important, amid a cultural atmosphere that mistakes self-righteousness for morality and suffocates the basic impulse toward betterment with punitive intolerance for human foible.

Maria Popova : “Resolutions for a Life Worth Living

Presence is far more intricate and rewarding an art than productivity.