Those marginalized for one aspect of their nature are bound to have sympathies with those marginalized for another, but no marginalized group moves to the center solely by its own efforts — such is the paradox of power. It takes a gravitational pull by those kindred to the cause who are already in relative positions of power or privilege.
Bulgarian writer
Maria Popova (born 28 July 1984) is a Bulgarian-born, American-based essayist, book author, poet, and writer of literary and arts commentary and cultural criticism that has found wide appeal both for her writing and for the visual stylistics that accompany it.
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We know from the now-iconic 1970s Good Samaritan study that the single greatest predictor of uncaring, unkind, and uncompassionate behavior, even among people who have devoted their lives to the welfare of others, is a perceived lack of time — a feeling of being rushed. The sense of urgency seems to consume all of our other concerns — it is the razor’s blade that severs our connection to anything outside ourselves, anything beyond the task at hand, and turns our laser-sharp focus of concern onto the the immediacy of the self alone.
Beyond any human lifetime, and often even within it, what is recorded is what is remembered, the records gradually displacing the actuality of lived events. And what is recorded is a fraction of what is thought, felt, acted out, lived — a fraction at best edited by the very act of its selection, at worst warped by rationalization or fictionalized by a deliberate retelling of reality. The stories we tell about our own lives, to others but especially to ourselves, we tell in order to make our lives livable.
This is the paradox of transformative experience: Because our imagination is bounded by our existing templates of how the world as we know it works, we fail to anticipate the greatest transformations — the events and encounters so unmoored from the familiar that they transfigure our map of reality and propel us into a wholly novel mode of being.
"Maria Mitchell, ... - having long considered Galileo "not a mere observer and discoverer, but a philosopher," she sees not only the tragedy of his truth but also its triumph: “I knew of no sadder picture in the history of science than that of the old man, Galileo, worn by a long life of scientific research, weak and feeble, trembling before that tribunal whose frown was torture, and declaring that to be false which he knew to be true. And I know of no picture in the history of religion more weakly pitiable than that of the Holy Church trembling before Galileo, and denouncing him because he found in the Book of Nature truths not stated in their own Book of God-forgetting that the Book of Nature is also the Book of God. It seems to be difficult for anyone to take in the idea that two truths cannot conflict."
Those accustomed to hard work and self-propulsion, who have risen to the zenith of accomplishment by force of will and magnitude of effort, are most susceptible to the supreme self-damnation of human life — the belief that love is something to be earned by striving rather than something that comes unbidden like a shepherd's song on a summer evening in the mountains of Bulgaria.