Bulgarian writer
Maria Popova (born 28 July 1984) is a Bulgarian-born, American-based essayist, book author, poet, and writer of literary and arts commentary and cultural criticism that has found wide appeal both for her writing and for the visual stylistics that accompany it.
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It takes a rare courage to recognize that feelings are the most perishable of our possessions, even more so than opinions, for an opinion — that is, a real opinion, which is qualitatively different from a fleeting impression or a borrowed stance — is arrived at via a well-reasoned argument with oneself. Not so a feeling — feelings coalesce out of the vapors that escape from the deepest groundwaters of our unreasoned and unreasonable being, and whatever rainbows they may scatter for a moment when touched with the light of another, they diffuse and evaporate just as readily, just as mysteriously.
Seeds are planted and come abloom generations, centuries, civilizations later, migrating across coteries and countries and continents. Meanwhile, people live and people die — in peace as war rages on, in poverty and disrepute as latent fame awaits, with much that never meets its more, in shipwrecked love.
When people tell you who they are, Maya Angelou famously advised, believe them. Just as importantly, however, when people try to tell you who you are, don’t believe them. You are the only custodian of your own integrity, and the assumptions made by those that misunderstand who you are and what you stand for reveal a great deal about them and absolutely nothing about you.
Some of our dormant multitudes come awake with a catlike stretch, slowly and lazily over years of personal development. Others leap into being with the jolt of an alarm sounded by a particular event or person who has entered our lives at a particular moment — rarely anticipated, almost never convenient, always transformational. On those rare, momentous mornings, one looks into the bathroom mirror and greets — sometimes grudgingly, sometimes gleefully — the gladsome stranger of oneself.
Those marginalized for one aspect of their nature are bound to have sympathies with those marginalized for another, but no marginalized group moves to the center solely by its own efforts — such is the paradox of power. It takes a gravitational pull by those kindred to the cause who are already in relative positions of power or privilege.
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Beyond any human lifetime, and often even within it, what is recorded is what is remembered, the records gradually displacing the actuality of lived events. And what is recorded is a fraction of what is thought, felt, acted out, lived — a fraction at best edited by the very act of its selection, at worst warped by rationalization or fictionalized by a deliberate retelling of reality. The stories we tell about our own lives, to others but especially to ourselves, we tell in order to make our lives livable.
Lives interweave with other lives, and out of the tapestry arise hints at answers to questions that raze to the bone of life: What are the building blocks of character, of contentment, of lasting achievement? How does a person come into self-possession and sovereignty of mind against the tide of convention and unreasoning collectivism? Does genius suffice for happiness, does distinction, does love?