I do love romantic movies, but at my age it doesn’t happen very often. I’ve always admired love stories—the expression of love is like white light to… - Nicolas Cage

I had gone on a bit of a tear for a while, exploring what I thought I could do with the boundaries or the limitations of film performance, and I had this philosophy, if you will, that what you could do in one art form, you might be able to do in another, and why not try it? Why not try something surrealistic or operatic or abstract or impressionistic in film performance? It was more experimental. A lot of it was very satisfying and very rewarding for me and my personal dreams about what I wanted to examine with film performance, but I had done that, and I felt that I had developed enough life experience, memories, dreams, where I could return to a more naturalistic, quiet style.

I always say to myself, 'I never had a career, only work.' What I mean by that is sometimes — and I won't mention names — but when you get into this career-minded perception of one's self it can be a slippery slope, and it can lead to things where you start believing in your own mythos and you start taking yourself way too seriously. You become pretentious and then you fall into the realm of diva, and that's when mistakes happen in your personal life and on camera.

Which is a word I don’t like anymore, ‘acting’. I sound like a pretentious fart for saying ‘thespian’ but acting now has become like lying. It sounds like I’m lying. If you’re a great actor, you’re a great liar. ‘Thespian’ seems more like it’s about finding some truth within and then projecting it for others to get it. At least, it does to me. But I’m not always on the same wavelength as everyone else.