I am extremely grateful for all the attention and anticipation for my work, but I will admit that sometimes it does put pressure on me. Honestly speaking, I tend to be someone who follows my own heart and is drawn to and chooses productions that resonate with me.

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I don’t really have a lot of desires, or that’s what I think of myself. But if I were to pick one, I would want for people to live peacefully. I don’t understand why some people harass or hurt others, or why they do these things because they envy others — we fight and wound each other and it might be a natural phenomenon that arises among weak humans, but I still hurt thinking about social issues such as Asian hate.

I think I was pretty much constant, unvarying, for 20 years. So, I do want to give myself a pat on the back for focusing on one career without any dramatic slumps for the last 20 years. But [personally] I don’t want a son like me. I don’t think that highly of myself.

When I become a character in a movie or drama … I can think about the character only and not the complicated matters of my own life. I feel ecstasy in those moments and it’s what keeps me going as an actor. It’s not about the money, it’s not about the honor.

I still don’t know how to define or answer what is the meaning behind life and death. And I don’t think I will be able to define them in the future either. It’s difficult. What I can do, is to live my life, which is only given to me once, without regret until it runs its course. That’s I think the best I can do, at the present.

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In the perspective of the audience, the movies that make me think are the most precious. I want to naturally be projected onto the film or role. From there, applying my tendencies and emotions is what I believe is the most natural way for actors to tell a story.