Every work of art is the child of its age and, in many cases, the mother of our emotions. It follows that each period of culture produces an art of i… - Wassily Kandinsky

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Every work of art is the child of its age and, in many cases, the mother of our emotions. It follows that each period of culture produces an art of its own which can never be repeated. Efforts to revive the art-principles of the past will at best produce an art that is still-born. It is impossible for us to live and feel, as did the ancient Greeks. In the same way those who strive to follow the Greek methods in sculpture achieve only a similarity of form, the work remaining soulless for all time. Such imitation is mere aping. Externally the monkey completely resembles a human being; he will sit holding a book in front of his nose, and turn over the pages with a thoughtful aspect, but his actions have for him no real meaning.

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About Wassily Kandinsky

Wassily Wassilyevich Kandinsky (December 4 or 16, 1866 - December 13, 1944) — was a Russian painter and art theorist and one of the leading figures in Blaue Reiter. One of the most important 20th-century artists, he is credited with painting the first modern abstract art works.

Also Known As

Alternative Names: Wassily Wassiljewitsch Kandinsky Vasili Vasilevich Kandinsky Vasilii Vasilevich Kandinskii Vasily Vasil'yevich Kandinsky Vasilij Kandinski Vasilij Vasil'evic Kandinskij Vasily Kandinsky Vasilij Kandinskij Vasily. Kandinsky Vasilij Vasil'evič Kandinskij Wassili Kandinsky Wassily Wassilyevich Kandinsky Vasili Vasileevich Kandinsky Vasilĭi Vasilʹevich Kandinskĭi Vasilij Vasilijevitch Kandynski Wassily Kandinski Basile W. Kandinsky Wahsili Kang-ting-ssu-chi Vassily Kandinsky Kandinsky w. kandinsky Vasili Vasil'evich Kandinski
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Additional quotes by Wassily Kandinsky

The geometric line is an invisible thing. It is the track made by the moving point; that is, its product. It is created by movement – specifically through the destruction of the intense self-contained repose of the point. Here, the leap out of the static to the dynamic occurs. […] The forces coming from without which transform the point into a line, can be very diverse. The variation in lines depends upon the number of these forces and upon their combinations.

It is never literally true that any form is meaningless and "says nothing." Every form in the world says something. But its message often fails to reach us, and even if it does, full understanding is often withheld from us.] and, properly speaking, FORM IS THE OUTWARD EXPRESSION OF THIS INNER MEANING.

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