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" "Do not fear. You have done all this wickedness; yet do not turn aside from following the Lord, but serve the Lord with all your heart. And do not turn aside; for then you would go after empty things which cannot profit or deliver, for they are nothing. For the Lord will not forsake His people, for His great name’s sake, because it has pleased the Lord to make you His people. Moreover, as for me, far be it from me that I should sin against the Lord in ceasing to pray for you; but I will teach you the good and the right way. Only fear the Lord, and serve Him in truth with all your heart; for consider what great things He has done for you. But if you still do wickedly, you shall be swept away, both you and your king.
Samuel Beckett (13 April 1906 – 22 December 1989) was an Irish playwright, novelist, poet and winner of the 1969 Nobel Prize in Literature. He wrote mainly in English and French.
Biography information from Wikiquote
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On turning to the Work in Progress we find that the mirror is not so convex. Here is direct expression — pages and pages of it. And if you don’t understand it, Ladies and Gentlemen, it is because you are too decadent to receive it. You are not satisfied unless form is so strictly divorced from content that you can comprehend the one almost without bothering to read the other. This rapid skimming and absorption of the scant cream of sense is made possible by what I may call a continuous process of copious intellectual salivation. The form that is an arbitrary and independent phenomenon can fulfil no higher function than that of stimulus for a tertiary or quartary conditioned reflex of dribbling comprehension. . . Mr. Joyce has a word to say to you on the subject: “Yet to concentrate solely on the literal sense or even the psychological content of any document to the sore neglect of the enveloping facts themselves circumstantiating it is just as harmful; etc.” And another: “Who in his hearts doubts either that the facts of feminine clothiering are there all the time or that the feminine fiction, stranger than facts, is there also at the same time, only a little to the rere? Or that one may be separated from the orther? Or that both may be contemplated simultaneously? Or that each may be taken up in turn and considered apart from the other?”
Here form is content, content is form. You complain that this stuff is not written in English. It is not written at all. It is not to be read — or rather it is not only to be read. It is to be looked at and listened to. His writing is not about something; it is that something itself.
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I began playing with the cries, a little in the same way as I had played with the song, on, back, on, back, if that may be called playing. As long as I kept walking I didn’t hear them, because of the footsteps. But as soon as I halted again I heard them again, a little fainter each time, admittedly, but what does it matter, faint or loud, cry is cry, all that matters is that it should cease. For years I thought they would cease. Now I don’t think so any more. I could have done with other loves perhaps. But there it is, either you love or you don’t.