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Pierre-Félix Louÿs (10 December 1870 – 4 June 1925) was a French poet and writer, most renowned for lesbian and classical themes in some of his writings. He is known as a writer who sought to "express pagan sensuality with stylistic perfection". He was made first a Chevalier and then an Officer of the Légion d'honneur for his contributions to French literature.
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She lay upon her bosom, with her elbows in front of her, her legs wide apart and her cheek resting on her hand, pricking, with a long golden pin, small symmetrical holes in a pillow of green linen.Languid with too much sleep, she had remained alone upon the disordered bed ever since she had awakened, two hours after mid-day.The great waves of her hair, her only garment, covered one of her sides.This hair was resplendently opaque, soft as fur, longer than a bird’s wing, supple, uncountable, full of life and warmth. It covered half her back, flowed under her naked belly, glittered under her knees in thick, curling clusters. The young woman was enwrapped in this precious fleece. It glinted with a russet sheen, almost metallic, and had procured her the name of Chrysis, given her by the courtesans of Alexandria.It was not the sleek hair of the court-woman from Syria, or the dyed hair of the Asiatics, or the black and brown hair of the daughters of Egypt. It was the hair of an Aryan race, the Galilæans across the sands.
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From the point of view of love, woman is a perfect instrument. From head to foot she is constructed, solely, marvellously, for love. She alone knows how to love. She alone knows how to be loved. Consequently, if a couple of lovers is composed of two women, it is perfect; if there is only one woman, it is only half as good; if there is no woman at all, it is purely idiotic. That is all I have to say.