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" "Science and art both project the world along certain coordinates. Differences in form are due only to differences in the coordinates. All realistic forms are projections along the fixed, plane coordinates of Euclid's world. These coordinates do not exist in nature. Nor does the finite, fixed world; this world is a convention, an abstraction, an unreality. And therefore Realism — be it "socialist" or "bourgeois" — is unreal. Far closer to reality is projection along speeding, curved surfaces — as in the new mathematics and the new art. Realism that is not primitive, not realia but realiora, consists in displacement, distortion, curvature, non-objectivity. Only the camera lens is objective.
Yevgeny Ivanovich Zamyatin [Евге́ний Ива́нович Замя́тин — also romanized as Eugene Zamiatin, as well as Evgeny, Evgenij; Ivenovitch, Evenovitch, and Zamjatin] (February 1, 1884 – March 10, 1937) was a Russian author famous for his dystopian novel, We, which influenced and inspired later dystopian works such as Aldous Huxley's Brave New World and George Orwell's Nineteen Eighty-Four.
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It has never occurred to me before, but this is truly how it is: all of us on earth walk constantly over a seething, scarlet sea of flame, hidden below, in the belly of the earth. We never think of it. But what if the thin crust under our feet should turn into glass and we should suddenly see. I became glass. I saw — within myself.
Ai due abitanti del Paradiso fu data l’opportunità di scegliere: felicità senza libertà o libertà senza felicità; tertium non datur. E loro, asini, scelsero la libertà: e dunque? Si capisce: poi hanno rimpianto le catene per secoli.