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"The Dream"
I met her as a blossom on a stem
Before she ever breathed, and in that dream
The mind remembers from a deeper sleep:
Eye learned from eye, cold lip from sensual lip.
My dream divided on a point of fire;
Light hardened on the water where we were;
A bird sang low; the moonlight sifted in;
The water rippled, and she rippled on.
She came toward me in the flowing air,
A shape of change, encircled by its fire.
I watched her there, between me and the moon;
The bushes and the stones danced on and on;
I touched her shadow when the light delayed;
I turned my face away, and yet she stayed.
A bird sang from the center of a tree;
She loved the wind because the wind loved me.
Love is not love until love’s vulnerable.
She slowed to sigh, in that long interval.
A small bird flew in circles where we stood;
The deer came down, out of the dappled wood.
All who remember, doubt. Who calls that strange?
I tossed a stone, and listened to its plunge.
She knew the grammar of least motion, she
Lent me one virtue, and I live thereby.
She held her body steady in the wind;
Our shadows met, and slowly swung around;
She turned the field into a glittering sea;
I played in flame and water like a boy
And I swayed out beyond the white seafoam;
Like a wet log, I sang within a flame.
In that last while, eternity’s confine,
Theodore Huebner Roethke (IPA: ['ɹ ɛ t.ki]; RET-key) (25 May 1908 – 1 August 1963) was an American poet who published several volumes of poetry characterized by their rhythm and natural imagery. He was awarded the Pulitzer Prize for poetry in 1954 for his book, The Waking.
Biography information from Wikiquote
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Dolor
I have known the inexorable sadness of pencils,
Neat in their boxes, dolor of pad and paper weight,
All the misery of manilla folders and mucilage,
Desolation in immaculate public places,
Lonely reception room, lavatory, switchboard,
The unalterable pathos of basin and pitcher,
Ritual of multigraph, paper-clip, comma,
Endless duplicaton of lives and objects.
And I have seen dust from the walls of institutions,
Finer than flour, alive, more dangerous than silica,
Sift, almost invisible, through long afternoons of tedium,
Dropping a fine film on nails and delicate eyebrows,
Glazing the pale hair, the duplicate gray standard faces.
I have gone into the waste lonely places
Behind the eye; the lost acres at the edge of smoky cities.
What’s beyond never crumbles like an embankment,
Explodes like a rose, or thrusts wings over the Caribbean.
There are no pursuing forms, faces on walls:
Only the motes of dust in the immaculate hallways,
The darkness of falling hair, the warning from lint and spiders,
The vines graying to a fine powder.
There is no riven tree, or lamb dropped by an eagle.
There are still times, morning and evening:
The cerulean, high in the elm,
Thin and insistent as a cicada,
And the far phoebe, singing,
The long plaintive notes floating down,
Drifting through leaves, oak and maple,
Or the whippoorwill, along the smoky ridges,
A single bird calling and calling:
A fume reminds me, drifting across wet gravel;
A cold wind comes over stones;
A flame, intense, visible,
Plays over the dry pods,
Runs fitfully along the stubble,
Moves over the field,
Without burning.
In such times, lacking a god,
I am still happy.
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