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" "The same feeling [when Hartley saw a work of the American painter w:Albert Pinkham Ryder for the very first time in his life] came over me in the given degree as came out of the Emerson’s Essays when they were first given to me I I felt as I have read a page of the Bible in both cases. All my essential Yankee qualities we re brought forth out of this picture and if I needed to be stamped an American this was the first picture that had done this – for it had in it everything that I knew and had experienced about my own New England – even though I had never lived by the sea – it had in it the stupendous solemnity of a Blake, [English religious painter] picture and it had a sense of realism besides that bore such a force of nature itself as to leave me breathless.
Marsden Hartley (January 4, 1877 – September 2, 1943) was an American Modernist painter and poet in the early 20th century. He lived and worked several years in Europe (Germany and France, Aix en Provence). The landscape was his favourite subject; Cézanne was his great inspiration, together with William Blake and Emerson's writings.
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Every painter must traverse for himself that distance from Paris to Aix (Aix-en-Provence where Paul Cézanne frequently painted in open air] or from Venice to Toledo [where w:El Greco lived and painted for many years]. Expression is for one knowing its own pivot. Every expressor relates solely to himself – that is the concern of the individualist.
the place [Dogtown, in Gloucester, Massachusetts] is forsaken and majestically lovely as if nature had at last formed one spot where she can live for herself alone.. ..[it] looked like a cross between Easter Island and Stonehenge – essentially druidic in it appearance, it gives the feeling that an ancient race might turn up at any moment and renew an ageless rite there.