He has lived to see Sex replaced by Fat as the Ultimate Sin, and at the annual shows of the Ontario Society of Water-colourists pictures of Christ Fo… - Robertson Davies

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He has lived to see Sex replaced by Fat as the Ultimate Sin, and at the annual shows of the Ontario Society of Water-colourists pictures of Christ Forgiving the Woman Taken in Adultery have given way to a new theme — Christ Forgiving the Woman Surprised in Laura Secord's.

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About Robertson Davies

Robertson Davies CC (August 28 1913 – December 2 1995) was a Canadian novelist, playwright, critic, journalist and professor.

Biography information from Wikiquote

Also Known As

Alternative Names: William Robertson Davies

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Additional quotes by Robertson Davies

Of course I long for her, but in honesty I must say that I would rather long for her than have her continuously present. Travel agents assure us that 'getting there is half the fun'; I might say with at least equal truth that longing is some of the best of loving.

And here before me stands a marvelously groomed little man who is pinning a hero's medal on me because some of his forebears were Alfred the Great and Charles the First, and even King Arthur, for anything I knew to the contrary. But I shouldn't be surprised if inside he feels as puzzled about the fate that brings him here as I. we are public icons, we two: he an icon of kingship, and I an icon of heroism, unreal yet very necessary; we have obligations above what is merely personal, and to let personal feelings obscure the obligations would be failing in one's duty.

This was clearer still afterward, at lunch at the Savoy....; they all seemed to accept me as a genuine hero, and I did my best to behave decently, neither believing in it too obviously, nor yet protesting that I was just a simple chap who had done his duty when he saw it — a pose that has always disgusted me. Ever since, I have tried to think charitably of people in prominent positions of one kind or another. We cast them in roles, and it is only right to consider them as players, without trying to discredit them with knowledge of their off-stage life — unless they drag it into the middle of the stage themselves.

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Myself: But wasn't the decision a right one? Am I not here? What more could Feeling have achieved than was brought about by Reason?

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