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" "I set out to assist two amazing filmmakers Sai Paranjpye and Kalpana Lajmi, both torchbearers of qualitative cinema. Through them I had a solid foundation to understand cinema and its intricacies. With Sai Paranjpye I learnt to use everyday humour, and with Kalpana Lajmi I learnt how to envisage a grand mise-en-scène. (After completing a course in film appreciation at FTII Pune)
Kalpana Lajmi (1954 – 23 September 2018) is an Indian film director, producer and screenwriter
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Bhupso (Kalpana endearingly addresses Hazarika as Bhupso) did offer to marry me two years ago, but I said no. May be he wanted to give me the status of wife, but I was not interested. For me, the relationship, the trust and the respect that we share with each other are more important than marriage. (discussing her unique relationship with Bhupen Hazarika)
I am itching to get back to filmmaking. The industry has changed so much since I last directed a movie. Those days when my films like 'Ek Pal' and 'Rudaali' were so appreciated, now seem remote. We've gone from the era from Mahesh Bhatt to the era of Alia Bhatt. And I'm proud I know both of them as wonderful human beings. It's been a wonderful journey. I've enjoyed every minute of it. And I am not done as yet. (hopes of recovering from Kidney Cancer and returning to filmmaking after a long hiatus)
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Strange. I have never been consciously feminist. I am more a humanist. I like dealing with the situation of the underdog and, somehow, I feel women are such a minority in this country. Also, I feel if my voice can be heard, why shouldn't I highlight their situation and create awareness and hope? I'm not consciously making women-oriented films. Maybe, subconsciously, the feminist inside me veers towards highlighting women's issues. (when asked if it was a conscious decision to concentrate on women-centric films)