Once upon a time a young man of American background thought he had discovered the Great Secret, the Skeleton Key to the Cosmos, the Absolute Answer t… - Ken Kesey

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Once upon a time a young man of American background thought he had discovered the Great Secret, the Skeleton Key to the Cosmos, the Absolute Answer to the Age Old Question asked by every Wizard, and Alchemist and Mystic that ever peered curiously into the Perplexing Heavens, by every Doctor and Scientist and Explorer that ever wondered about the Winding Ways of this world, by every Philosopher and Holyman and Politician that ever listened for the Mysterious Song beneath the beat of the Human Heart... the answer to "What Makes It All Go?"

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About Ken Kesey

Kenneth Elton Kesey (17 September 1935 – 10 November 2001) was an American writer, most famous for his novel One Flew Over the Cuckoo's Nest and as a cultural icon whom some consider a link between the "beat generation" of the 1950s and the "hippies" of the 1960s as a founding member of the Merry Pranksters.

Biography information from Wikiquote

Also Known As

Alternative Names: Kenneth Kesey Kenneth Elton Kesey Ken Elton Kesey Ken E. Kesey O. U. Levon
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Additional quotes by Ken Kesey

Leary can get a part of my mind that's kind of rusted shut grinding again, just by being around him and talking, 'cause that's where he works. He knows that area of the mind and the brain, and he knows the difference between the two areas. He's a real master at getting your old wheel squeaking again. … When we first broke into that forbidden box in the other dimension, we knew that we had discovered something as surprising and powerful as the New World when Columbus came stumbling onto it. It is still largely unexplored and uncharted. People like Leary have done the best they can to chart it sort of underground, but the government and the powers do not want this world charted, because it threatens established powers. It always has.

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Kerouac had lots of class — stumbling drunk in the end, but read those last books. He never blames anybody else; he always blames himself. If there is a bad guy, it’s poor old drunk Jack, stumbling around. You never hear him railing at the government or railing at this or that. He likes trains, people, bums, cars. He just paints a wonderful picture of Norman Rockwell’s world. Of course it’s Norman Rockwell on a lot of dope. Jack London had class. He wasn’t a very good writer, but he had tremendous class. And nobody had more class than Melville. To do what he did in Moby-Dick, to tell a story and to risk putting so much material into it. If you could weigh a book, I don’t know any book that would be more full. It’s more full than War and Peace or The Brothers Karamazov. It has Saint Elmo’s fire, and great whales, and grand arguments between heroes, and secret passions. It risks wandering far, far out into the globe. Melville took on the whole world, saw it all in a vision, and risked everything in prose that sings. You have a sense from the very beginning that Melville had a vision in his mind of what this book was going to look like, and he trusted himself to follow it through all the way.

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