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My Jewish identity became extremely important to me from the moment the Jews began to be persecuted. At that point I became aware of myself as a Jew.… - Natalia Ginzburg
" "My Jewish identity became extremely important to me from the moment the Jews began to be persecuted. At that point I became aware of myself as a Jew. But I came from a mixed marriage—my father was Jewish, my mother Catholic. My parents were atheists and therefore chose not to give us, the children, any religious instruction. They were totally non-observant. You might say that a Hebrew spirit dominated the household in the sense that my father had a very strong, very authoritarian character. And I suppose it’s true that many of the family friends were Jews, but many were not. So, while I did not have any sort of formal Jewish upbringing, I nevertheless felt my Jewishness very acutely during the war years (my first husband, Leone Ginzburg, was a Jew) and after the war, when it became known what had been done to the Jews in the camps by the Nazis. Suddenly my Jewishness became very important to me.
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About Natalia Ginzburg
Natalia Ginzburg (Italian: [nataˈliːa ˈɡintsburɡ], German: [ˈɡɪntsbʊʁk]; née Levi; 14 July 1916 – 7 October 1991) was an author who lived in Italy. She wrote novels, short stories and essays, which often explored family relationships, politics during and after the Fascist years and World War II, and philosophy. For a time in the 1930s she belonged to the Italian Communist Party and in 1983 she was elected to Parliament from Rome as an independent politician.
Also Known As
Pen Names:
Alessandra Tornimparte
Alternative Names:
Natalia Levi
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Natalia Levi Ginzburg
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Natalia Levi Baldini
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Additional quotes by Natalia Ginzburg
When I write something I usually think it is very important and that I am a very fine writer. I think this happens to everyone. But there is one corner of my mind in which I know very well what I am, which is a small, a very small writer. I swear I know it. But that doesn't matter much to me. Only, I don't want to think about names: I can see that if I am asked 'a small writer like who?' it would sadden me to think of the names of other small writers. I prefer to think that no one has ever been like me, however small, however much a mosquito or a flea of a writer I may be. The important thing is to be convinced that this really is your vocation, your profession, something you will do all your life.
(Are there other English language writers who mean a lot to you?) NG: Well, of course, Shakespeare. And I love George Eliot as well. I’ve read the major authors, but in Italian, not English. Perhaps my favorite English novelist is Jane Austen. I hardly know contemporary American literature. The two American authors I love most, who are by now dead, alas, are Carson McCullers and Flannery O’Connor. And then I love Fitzgerald and Hemingway—especially the Hemingway of the stories...When Edgar Lee Masters’s Spoon River Anthology came out in Italian, suddenly there was widespread interest in North American writing. But even before that Pavese was busy introducing us all to the great American writers.
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(PB: You wrote your essay “The Little Virtues” a long time ago, really in another age. A number of American readers are very much taken with the piece while finding it a direct challenge to their familiar assumptions. Would you still offer parents the same advice with regard to the upbringing of their children or have your thoughts changed?) NG: I’m sure that I would write exactly the same thing; even in these difficult times one should only teach the big virtues, generosity more than anything else. The rest can be learned later on.
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