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" "The lesser war here corresponds to the exoteric war, the bloody battle which is fought with material arms against the enemy, against the 'barbarian', against an inferior race over whom a superior right is claimed, or, finally, when the event is motivated by a religious justification, against the 'infidel'. No matter how terrible and tragic the events, no matter how huge the destruction, this war, metaphysically, still remains a 'lesser war'. The 'greater' or 'holy war' is, contrarily, of the interior and intangible order – it is the war which is fought against the enemy, the 'barbarian', the 'infidel', whom everyone bears in himself, or whom everyone can see arising in himself on every occasion that he tries to subject his whole being to a spiritual law.
Julius Evola (19 May 1898 – 11 June 1974) was an Italian far-right philosopher. Evola regarded his values as aristocratic, monarchist, masculine, traditionalist, heroic, and defiantly reactionary. An eccentric thinker in Fascist Italy, he also had ties to Nazi Germany; in the post-war era, he was an ideological mentor of the Italian neo-fascist and militant Right.
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Be radical, have principles, be absolute, be that which the bourgeoisie calls an extremist: give yourself without counting or calculating, don't accept what they call ‘the reality of life' and act in such a way that you won't be accepted by that kind of ‘life', never abandon the principle of struggle.
The enormous and spontaneous spread of jazz in the modern world shows that meanings no different from those of the physico-cerebral "classical" music, which superseded nineteenth-century bourgeois melodrama and pathos, have in fact thoroughly penetrated the younger generation. But there are two sides to this phenomenon. Those who once went crazy for the waltz or delighted in the treacherous and conventional pathos of melodrama, now find themselves at ease surrounded by the convulsive-mechanical or abstract rhythms of recent jazz, both "hot" and "cool," which we must consider as more than a deviant, superficial vogue. We are facing a rapid and central transformation of the manner of listening, which is an integral part of that complex that defines the nature of the present. Jazz is undeniably an aspect of the resurfacing of the elemental in the modern world, bringing the bourgeois epoch to its dissolution.
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Within a nominally Christian world, chivalry upheld without any substantial alterations an Aryan ethics in the following things: (1) upholding the ideal of the hero rather than the saint, and of the conqueror rather than of the martyr; (2) regarding faithfulness and honor, rather than caritas and humbleness, as the highest virtues; (3) regarding cowardice and dishonor, rather than sin, as the worst possible evil; (4) ignoring or hardly putting into practice the evangelical precepts of not opposing evil and not retaliating against offenses, but rather, methodically punishing unfairness and evil; (5) excluding from its ranks those who followed the Christian precept ‘Thou Shalt Not Kill’ to the letter; and (6) refusing to love one’s enemy and instead fighting him and being magnanimous only after defeating him.