"You can, in short, lead the life of the mind, which is, despite some appalling frustrations, the happiest life on earth. And one day, in the thick o… - Annie Dillard

What can an artist use but materials, such as they are? What can he light but the short string of his gut, and when that's burnt out, any muck ready to hand?

This is it, I think, this is it, right now, the present, this empty gas station, here, this western wind, this tang of coffee on the tongue, and I am petting the puppy, I am watching the mountain. And the second I verbalize this awareness in my brain, I cease to see the mountain or feel the puppy. I am opaque, so much black asphalt. But at the same second, the second I know I've lost it, I also realize that the puppy is still squirming on his back under my hand. Nothing has changed for him. He draws his legs down to stretch the skin taut so he feels every fingertip's stroke along his furred and arching side, his flank, his flung-back throat.
I sip my coffee. I look at the mountain, which is still doing its tricks, as you look at a still-beautiful face belonging to a person who was once your lover in another country years ago: with fond nostalgia, and recognition, but no real feeling save a secret astonishment that you are now strangers. Thanks. For the memories. It is ironic that the one thing that all religions recognize as separating us from our creator — our very self-consciousness — is also the one thing that divides us from our fellow creatures. It was a bitter birthday present from evolution, cutting us off at both ends. I get in the car and drive home.

Knowing you are alive is watching on every side your generation's short time falling away as fast as rivers drop through air, and feeling it hit.