Advanced Search Filters
Filter search results by source, date, and more with our premium search tools.
" "[Frenchmen] are not the sort of people one would go tiger-shooting with.
George Nathaniel Curzon, 1st Marquess Curzon of Kedleston, (11 January 1859 – 20 March 1925), known as The Lord Curzon of Kedleston between 1898 and 1911 and as The Earl Curzon of Kedleston between 1911 and 1921, was a British Conservative statesman who was Viceroy of India and Foreign Secretary, but who was passed over as Prime Minister in 1923 in favour of Stanley Baldwin. The Curzon Line was named after him.
Filter search results by source, date, and more with our premium search tools.
Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.
In our attitude towards birds we were not far removed from a barbarian age. We allowed our boys to despoil birds' nests of their eggs; we still kept captive most beautiful objects of God's creation which were never intended for imprisonment; and we allowed gamekeepers to kill owls and also the kingfisher, the most exquisite bird that could be seen on the streams of this country, because it was supposed to devour juvenile trout. If a rare bird, a bittern or a buzzard, appeared in any neighbourhood, no effort was made for its protection. On the contrary, it was slaughtered by a local sportsman, who wrote to the local journal to boast of his "glorious" achievement.
Filter search results by source, date, and more with our premium search tools.
If there be any one who says to me that there is no duty devolving upon a Christian Government to preserve the monuments of a pagan art or the sanctuaries of an alien faith, I cannot pause to argue with such a man. Art and beauty, and the reverence that is owing to all that has evoked human genius or has inspired human faith, are independent of creeds, and, in so far as they touch the sphere of religion, are embraced by the common religion of all mankind. Viewed from this standpoint, the rock temple of the Brahmans stands on precisely the same footing as the Buddhist Vihara, and the Mohammedan Musjid as the Christian Cathedral. There is no principle of artistic discrimination between the mausoleum of the despot and the sepulchre of the saint. What is beautiful, what is historic, what tears the mask off the face of the past and helps us to read its riddles and to look it in the eyes—these, and not the dogmas of a combative theology, are the principal criteria to which we must look.