Without great solitude, no serious work is possible. - Pablo Picasso

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Without great solitude, no serious work is possible.

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About Pablo Picasso

Pablo Ruiz Picasso (25 October 1881 – 8 April 1973) was a Spanish artist who lived and worked in Paris for many years. Around 1906–1908 together with Georges Braque Picasso initiated cubism, based on a strong inspiration of Paul Cézanne's work.

Biography information from Wikiquote

Also Known As

Alternative Names: Pablo Ruiz Y Picasso Pablo Ruiz Pablo Ruys Picasso Pablo Ruiz Picasso Pablo Ruys Picasso Pablo Ruiz y Picasso Pablo Diego José Francisco de Paula Juan Nepomuceno Crispín Crispiniano de la Santissima Trinidad Ruiz Blasco Picasso Pablo Diego Jose Francisco de Paula Juan Nepomuceno Crispin Crispiniano de la Santissima Trinidad Ruiz Blasco Picasso P. Picasso Pablo Diego José Francisco de Paula Juan Nepomuceno Cipriano de la Santísima Trinidad Ruiz Picasso Pablo Diego José Francisco de Paula Juan Nepomuceno Crispín Cipriano de la Santísima Trinidad María de los Remedios Alarcón y Herrera Ruiz Picasso Pablo Diego José Francisco de Paula Juan Nepomuceno Crispín Crispiniano de la Santísima Trinidad María de los Remedios Alarcón y Herrera Ruiz Picasso
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Additional quotes by Pablo Picasso

I don't develop; I am.

What do you think an artist is? An imbecile who only has eyes, if he is a painter, or ears if he is a musician, or a lyre in every chamber of his heart if he is a poet, or even, if he is a boxer, just his muscles? Far from it: at the same time he is also a political being, constantly aware of the heartbreaking, passionate, or delightful things that happen in the world, shaping himself completely in their image. How could it be possible to feel no interest in other people, and with a cool indifference to detach yourself from the very life which they bring to you so abundantly? No, painting is not done to decorate apartments. It is an instrument of war.

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Pour moi, peindre un tableau c'est engager une action dramatique au cours de laquelle la réalité se trouve déchirée. Ce drame l'emporte sur toute autre considération. L'acte plastique n'est que secondaire, en ce qui me concerne. Ce qui compte, c'est le drame de l'acte lui-même, le moment où l'univers s'échappe pour rencontrer sa propre destruction

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