Suppose, Christopher now said to himself, I have a Nazi Army at my mercy. I can blow it up by pressing a button. The men in that Army are notorious f… - Christopher Isherwood

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Suppose, Christopher now said to himself, I have a Nazi Army at my mercy. I can blow it up by pressing a button. The men in that Army are notorious for torturing and murdering civilians — all except for one of them, Heinz. Will I press the button? No — wait: Suppose I know that Heinz himself, out of cowardice or moral infection, has become as bad as they are and takes part in all their crimes? Will I press that button, even so? Christopher's answer, given without the slightest hesitation, was: Of course not. That was a purely emotional reaction. But it helped Christopher think his way through to the next proposition. Suppose that Army goes into action and has just one casualty, Heinz himself. Will I press the button now and destroy his fellow criminals? No emotional reaction this time, but a clear answer, not to be evaded: Once I have refused to press that button because of Heinz, I can never press it. Because every man in that Army could be someone's Heinz and I have no right to play favorites. Thus Christopher was forced to recognize himself as a pacifist — although by an argument which he could only admit to with the greatest reluctance.

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About Christopher Isherwood

Christopher William Bradshaw Isherwood (26 August 1904 – 4 January 1986) was a British-American writer.

Biography information from Wikiquote

Also Known As

Alternative Names: Christopher William Bradshaw Isherwood
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Additional quotes by Christopher Isherwood

'Why should you do a job anyway? What's the incentive?'
'The incentive is to fight anarchy. That's all Man lives for. Reclaiming life from its natural muddle. Making patterns.'
'Patterns for what?'
'For the sake of patterns. To create meaning. What else is there?'
'And what about the things that won't fit into your patterns?'
'Discard them.'

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And now an hour, maybe, has passed. And they are both drunk: Kenny fairly, George very. But George is drunk in a good way, and one that he seldom achieves. He tries to describe to himself what this kind of drunkenness is like. Well - to put it very crudely - it's like Plato; it's a dialogue. A dialogue between two people. Yes, but not a Platonic dialogue in the hair-splitting, word-twisting, one-up-to-me sense; not a mock-humble bitching match; not a debate on some dreary set theme. You can talk about anything and change the subject as often as you like. In fact, what really matters is not what you talk about, but the being together in this particular relationship.

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