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I just revelled in that High Mass at Beuron Abbey on All Saints' Day..Of course it's a spectacle, but that's just what makes sense, the very same sen… - Ida Friederike Görres
" "I just revelled in that High Mass at Beuron Abbey on All Saints' Day..Of course it's a spectacle, but that's just what makes sense, the very same sense as monasticism in general...ritual as the reflection of glory. How marvellously impersonal it is - the strict anonymity of the monks, even more impressive when they raise their hoods. They are just figures and voices. What an achievement to divest oneself of everything private, individual, to enact this holy drama day after day, indifferent to one's personal mood, representing all of us simply as mouth of the Church.
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About Ida Friederike Görres
Ida Friederike Görres (born Elisabeth Friederike, Reichsgräfin Coudenhove-Kalergi; 2 December 1901, in Schloss Ronsperg, Bohemia – 15 May 1971, in Frankfurt am Main) was a Catholic writer. From the Coudenhove-Kalergi family, she was the daughter, one of seven children, of Count Heinrich von Coudenhove-Kalergi and his Japanese wife Mitsuko Aoyama.
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What does really happen when the factor of love withdraws from a human relationship? Is it a loss or a gain? Is the real landscape revealed at last, hitherto transfigured, but delusive, too, by the driving mist of fantasy? Is it a perverted vision which finds a glowing cloud more beautiful than the solid truth of a plot of earth? And vice versa, what really happens when the radiance, the glamour, begins to take shape, concentrating on a landscape or on a face?
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I've just finished reading Shakespeare's Sonnets, that is, I've read and understood them for the first time. One passionate, desolate lament - immeasurable and inconsolable - for the waning, wasting and passing of beauty. At the same time there's something disturbingly un-Christian here - the utterly heathen, desperate keening of the dirges, the grisly dances of death, danses macabres, in which death is nothing but the end, finality - destruction, not transition.
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