Every one of us is born with some kind of talent. In early manhood or womanhood each individual begins to see a path, though perhaps dimly, that beck… - Art Young

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Every one of us is born with some kind of talent. In early manhood or womanhood each individual begins to see a path, though perhaps dimly, that beckons to him or her. All of us have this leaning toward, or desire for doing ably, a certain kind of work, and only want an opportunity to prove our capacity in that direction. These hunches, these signs of one's natural trend, are usually right, and are not to be thrust aside without regret in later life. I am antagonistic to the money-making fetish because it sidetracks our natural selves, leaving us no alternative but to accept the situation and take any kind of work for a weekly wage. We are expected to "make good," which is another way of saying make money. Therefore we do things for which we have no real understanding and often no liking, without thought as to whether it is best for us, and soon or late find that living has become drab and empty.

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About Art Young

Arthur Henry Young (January 14, 1866 – December 29, 1943) was an American political cartoonist.

Also Known As

Alternative Names: Arthur Henry Young Arthur Young Arthur H. Young
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I was in deadly earnest about developing my talent, and carousing had no lure for me. I applied myself assiduously to the work in hand, and as I proceeded I became more and more convinced that graphic art was my road to recognition. Painting interested me no less, but I thought of it as having no influence. If one painted a portrait, or a landscape, or whatever, for a rich man to own in his private gallery, what was the use? On the other hand, a cartoon could be reproduced by simple mechanical processes and easily made accessible to hundreds of thousands. I wanted a large audience. . . The prevailing art of that period embraced a thorough, almost photographic, lens-like observance of detail. Gerome, Messonier, Cabanel, Vibert, and Bougeaureau were in the forefront of the artworld then, because they were accurate, precise draftsmen. (Chapter 1. Sunlight and Shadow in Paris)

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I hope it will not be said of me that my cartoons never hurt. To be a caricaturist all one's life of the kind whose pictures "never hurt" is my idea of futility. It should not be the function of a political caricaturist just to be funny. The operation sometimes calls for cruelty. But to produce a cartoon that is nothing but an insulting burlesque of a public man is not my idea of a forceful cartoon. However, it often happens that a public man serves as a symbol of wrong because of his record and as such he should be a cartoonist's subject, not to be attacked as a man so much as the idea for which he stands. When one feels that everybody, even the most predatory of capitalists, is also a victim of his own system, one's steel is in danger of not being ground sharp enough for effective attack. But not to hurt with an idea and the manner of expressing it proves that the cartoonist is nothing but a court jester whom the money monarchs like to have around, and when he dies they will say "he never hurt."

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