Yes! It’s so much better being able to actually speak to another person. I guess I could have answered your questions via email, but I think school h… - Ayobola Kekere-Ekun

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Yes! It’s so much better being able to actually speak to another person. I guess I could have answered your questions via email, but I think school has kind of fucked writing up for me a little bit. The process of writing my thesis has soured a lot of things for me. So like, writing doesn't feel as pleasurable anymore, because my brain always processes it as a work activity now. Even when it's not work.

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About Ayobola Kekere-Ekun

Ayobola Kekere-Ekun (born 1993) is a Nigerian contemporary visual artist. Kekere-Ekun finished a degree in Graphic Design at the University of Lagos (UNILAG), Akoka in 2009 and also received her Master's Degree in the same field in 2016. She is the Assistant Lecturer in the Department of Creative Arts at the University of Lagos. As of 2022, Kekere-Ekun was finishing her Ph.D., which started in 2018, in Art and Design at the University of Johannesburg, South Africa.

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So I think the issue starts to come up when you’re not honest with yourself about those distinctions and how you are willing to engage with them. What your limitations are, as well. And you know, how you can correct for them. It's a weird business. It's a weird business, but even at my most bogged down, miserable, you know, even when I'm stretched thin, and I've scheduled one too many things, I have one too many deadlines. I can't, I cannot literally think of anything else I'd rather be doing. Like I literally cannot picture myself doing anything. What on earth would I be doing?

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My PHD is art and design. Academically, I’m more of a graphic designer. My research is exploring place branding, in Lagos. So I'm basically exploring how the state government in like the last decade has co-opted certain architectural and cultural monuments as signifiers for the state. But I'm arguing that they carry unexamined histories that kind of complicate their use. You know, it's as if you are trying to position yourself as a super modern, inclusive type state, but you're using a symbol that is actually really classist and patriarchal and really quite problematic. There's just this ironic tension in there. And that's sort of what my research is examining.

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