The clock, not the steam-engine, is the key-machine of the modern industrial age. - Lewis Mumford

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The clock, not the steam-engine, is the key-machine of the modern industrial age.

English
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About Lewis Mumford

Lewis Mumford (19 October 1895 – 26 January 1990) was an American historian of technology and science, also noted for his study of cities.

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Additional quotes by Lewis Mumford

To accept the Church's monopoly of the subjective life, or to surrender it to muddled magic and vulgar superstition, was to set limits to the examination of human experience and the pursuit of truth. The inner life could not remain forever a no-man's land, where saints, gypsies, lords, beggars, artists, and lunatics had established squatters' rights and wasted precious human energy erecting an endless series of crazy, flimsy structures. In turning his back on the realities of subjective life, Descartes rejected the possibility of creating a unified world picture that would do justice to every aspect of human experience-that indispensable pre-condition for the 'next development of man.

What is more, the whole apparatus of life has become so complex and the processes of production, distribution, and consumption have become so specialized and subdivided, that the individual person loses confidence in his own unaided capacities: he is increasingly subject to commands he does not understand, at the mercy of forces over which he exercises no effective control, moving to a destination he has not chosen. Unlike the taboo-ridden savage, who is often childishly over-confident in the powers of his shaman or magician to control formidable natural forces, however inimical, the machine-conditioned individual feels lost and helpless as day by day he metaphorically punches his time-card, takes his place on the assembly line, and at the end draws a pay check that proves worthless for obtaining any of the genuine goods of life.

This lack of close personal involvement in the daily routine brings a general loss of contact with reality: instead of continuous interplay between the inner and the outer world, with constant feedback or readjustment and with stimulus to fresh creativity, only the outer world-and mainly the collectively organized outer world of the power system-exercises authority: even private dreams must be channeled through television, film, and disc, in order to become acceptable.

With this feeling of alienation goes the typical psychological problem of our time, characterized in classic terms by Erik Erikson as the 'Identity Crisis.' In a world of transitory family nurture, transitory human contacts, transitory jobs and places of residence, transitory sexual and family relations, the basic conditions for maintaining continuity and establishing personal equilibrium disappear. The individual suddenly awakens, as Tolstoi did in a famous crisis in his own life at Arzamas, to find himself in a strange, dark room, far from home, threatened by obscure hostile forces, unable to discover where he is or who he is, appalled by the prospect of a meaningless dea

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The word 'year' is meaningless as applied to a physical system by itself: it is not the stars or the planets that experience years, still less measure them, but man. This very observation is the result of man's attention to recurrent movements, seasonable events, biological rhythms, measurable sequences. When the idea of a year is projected back upon the physical universe, it tells something further that is important to man: otherwise, it is a poetic fiction.

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