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" "It might have meant something, or it might not have. That was the thing about uncertainty, you were never sure.
Robert Sheckley (July 16, 1928 – December 9, 2005) was a Hugo- and Nebula-nominated American science fiction author.
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I think he suspected I was lying; but it was the sort of large-scale, flamboyant lie that appealed to him. As he told me later, only pettiness annoyed him. He delighted in color and movement, and in the protean appearance of things. In this respect, he told me, he was a true Venetian. Like many other subjects of the Serenissima, he believed in style over content, art over life, appearance over reality, and form over substance. He believed simultaneously in fate and free will. He viewed life as a sort of Renaissance melodrama, complete with unexpected appearances and disappearances, heartrending confrontations, preposterous coincidences, disguises and doubles, switched twins and mysteries of birth; all revolving around an obscure and melancholy point of honor. And, of course, he was perfectly right.
He distrusted all laws, even the best, while at the same time recognizing the necessity for them. For Joenes, a law took its goodness from the nature of the men who administered it. When the nature of those men changed, as Joenes believed was inevitable, then the nature of the law changed, too. When this happened, new laws and new lawgivers had to be found.
Earth, Earth," the short, alien Carmody mused. "I think I remember the name now. There was a recent study of isolated worlds and the peculiarities of their development. Earth was mentioned as a planet covered with an obsessively overproductive species. Object manipulation is their outstanding modality. Their project is an attempt to live in their own, ever-accumulating waste products. In short, Earth is diseased place. I believe it is being phased out of the Galactic Master Plan on the basis of chronic cosmic incompatibility. The place will then be rehabilitated and turned into a refuge for daffodils.