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In the self-revelation of Life reality is given birth, any possible reality. […] This is why, from now on, we must reject an idea found in Hegel’s ph… - Michel Henry
" "In the self-revelation of Life reality is given birth, any possible reality. […] This is why, from now on, we must reject an idea found in Hegel’s philosophy – and in its by-products such as its most tenacious expression, Marxism – before determining in turn many of the commonplaces of modern thought. This is the idea that Christianity is a flight from reality, inasmuch as it is a flight from the world. But if reality resides in Life and only in Life, this reproach disintegrates to the point of ultimately appearing as a non-sense. […] The content of Life – what it experiences – is Life itself, refers back to a more fundamental condition, to the very essence of the “Living,” to a mode of revelation whose specific phenomenality is the flesh of a pathos, pure affective material, in which any cleavage, any separation, finds itself radically excluded. It is uniquely because such is the phenomenological matter of which this revelation is made that we can say that in this revelation what reveals and what is revealed are one and the same. It is this pathetik phenomenological substance of living that defines and contains any conceivable “reality.”
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About Michel Henry
Michel Henry (10 January 1922 – 3 July 2002) was a French philosopher, phenomenologist and novelist. He wrote five novels and numerous philosophical works. He also lectured at universities in France, Belgium, the United States, and Japan. His novel L'amour les yeux fermés (Love With Closed Eyes) has won the Renaudot Prize in 1976.
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Phenomenological definition of God
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Additional quotes by Michel Henry
That one should love the other is a prescription any ethic could accommodate, as uncertain as its foundation might be. An ideology lacking any foundation, as for example democratic socialism in our day, could equally lay claim to it. But that one should love the other who is your enemy, even if he is depraved, degenerate, hypocritical, or criminal, is in effect only possible if this other person is not what he appears, not even this I Can, the transcendental ego who has committed all this misdeeds. It is only if, as Son, the other carries within him Life and its essential Ipseity that he may, in his depravity, be the object of love, or rather not him – in the sense of a person, the one whom other people call a person – but the power that gave him to himself and constantly gives him to himself even in his depravity. The command is to love the other insofar as he is in Christ and in God, and on this condition alone.
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Art will rediscover its way in a different type of nature (from the Galilean nature). The sensible qualities of this nature are not reduced to external features, as mere signs that are limited to 'representing' a foreign reality. These qualities are modes of life: impressions, tones and tonalities. This is what I mean: by tearing colours and linear forms away from the ideal archetype of meanings that constitute the objective world and by taking them in their non-referential pictoriality, Kandinskian abstraction does not depart from nature but returns to its inner essence. This original, subjective, dynamic, impressional and pathetic nature -- the true nature whose essence is Life -- is the cosmos. A dazzling claim from The Blaue Reiter Almanac, highlighted by Kandinsky himself, defines the Arche (or the Origin) where Art and Cosmos are identical: 'The world sounds. It is a cosmos of spiritually affective beings. Thus, dead matter is living spirit'.
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