Why not? Of the four possible sites, this has the best electromagnetic environment.” “What about the human environment? Comrades, don’t just focus on… - Liu Cixin

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Why not? Of the four possible sites, this has the best electromagnetic environment.” “What about the human environment? Comrades, don’t just focus on the technical side. Look at how poor this place is. The poorer a village, the craftier the people. Do you understand? If the observatory were located here, there would be trouble between the scientists and the locals. I can imagine the peasants thinking of the astronomy complex as a juicy piece of meat that they can take bites from.” This site was indeed not approved, and the reason was just what the task force leader had said.

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About Liu Cixin

Liu Cixin (born June 23, 1963) is a Chinese science fiction writer.

Biography information from Wikiquote

Also Known As

Alternative Names: Cixin Liu Liu Ci Xin Da Liu Big Liu Daliu Liu Da Liucixin Liu Ci-Xin Ci-Xin Liu
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Equally important was the fact that the interpretation provided the model for how Tianming had hidden his message in the three stories. He employed two basic methods: dual-layer metaphors and two-dimensional metaphors. The dual-layer metaphors in the stories did not directly point to the real meaning, but to something far simpler. The tenor of this first metaphor became the vehicle for a second metaphor, which pointed to the real intelligence. In the current example, the princess’s boat, the He’ershingenmosiken soap, and the Glutton’s Sea formed a metaphor for a paper boat driven by soap. The paper boat, in turn, pointed to curvature propulsion. Previous attempts at decipherment had failed largely due to people’s habitual belief that the stories only involved a single layer of metaphors to hide the real message. The two-dimensional metaphors were a technique used to resolve the ambiguities introduced by literary devices employed in conveying strategic intelligence. After a dual-layer metaphor, a single-layer supporting metaphor was added to confirm the meaning of the dual-layer metaphor. In the current example, the curved snow-wave paper and the ironing required to flatten it served as a metaphor for curved space, confirming the interpretation of the soap-driven boat. If one viewed the stories as a two-dimensional plane, the dual-layer metaphor only provided one coordinate; the supporting single-layer metaphor provided a second coordinate that fixed the interpretation on the plane. Thus, this single-layer metaphor was also called the bearing coordinate. Viewed by itself, the bearing coordinate seemed meaningless, but once combined with the dual-layer metaphor, it resolved the inherent ambiguities in literary language. “A subtle and sophisticated system,” a PIA specialist said admiringly. All the committee members congratulated Cheng Xin and AA. AA, who had always been looked down on, saw her status greatly elevated among the committee members.

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