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I call bullshit on any system that holds me down. If the system changed my life the way it did and it totally abused my life and my family, then I’m … - M.I.A.
" "I call bullshit on any system that holds me down. If the system changed my life the way it did and it totally abused my life and my family, then I’m willing to stand up against it. My goal is to bring people into the system. If I have to use some shocking imagery or if I have to use some honest up-front language to get in and wake people up, so be it. At least, it has sparked up some discussion and young people feel like they have the right to talk. That’s all you can hope for, to induce discussion and then make people feel like they have the right to discuss political issues.
English
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About M.I.A. (Mathangi Arulpragasam)
Mathangi "Maya" Arulpragasam, MBE (born 18 July 1975), known by the stage name M.I.A., is a British artist, film maker, singer, songwriter, rapper, activist, visual artist, humanitarian, record producer, graphic designer, photographer, fashion icon, and refugee icon. She is often described as one of the most influential artists of the 21st century, covering multicultural and countercultural, convention defying themes and utilizing a range of genres in her music to form a unique avant-garde sound, and for having revolutionized indie/underground/independent/subcultural and mainstream music and culture since her rise to prominence.
Also Known As
Birth Name:
Mathangi Arulpragasam
Native Name:
மாதங்கி 'மாயா' அருள்பிரகாசம்
Alternative Names:
Maya Arulpragasam
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Additional quotes by M.I.A.
I can sing about songs with gunshots in the background because I heard them. It's almost like my music has been a way to smoke out the hatred that's been bubbling underneath what's going on in Sri Lanka. If there's 300,000 people who are trapped and they're dying, it should be talked about, it should be brought to the table, and I don't see anything wrong in sticking up for 300,000 dying people.
I performed at a show at the MoMA. There was this big dinner there, and I was seated in this hall with the mayor of New York and all these extremely wealthy art-supporting and art-buying people. There was a piece of work hanging in the hall-it was a fan. This fan was supposed to swing by the momentum of its own propeller. So, while we were having dinner, the fan was stopped, and the guy next to me, a curator at P.S.1, said, "Look, this is what art symbolizes today." Like, that piece of art is supposed to be moving, but just to have dinner we've stopped the art. That's what New York is like today. You can't have real art happen in an institution because rich people can make the world stop. The stuff on the street is a lot more interesting.
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GAVRAS: Well, he’s bigger than a pop star. I mean, when he came to Paris in 2007, he was supposed to stay at the Hôtel de Marigny, which is the best hotel. But Gaddafi came with a tent. It was this huge flagged tent—just him and his army guards, who were all girls. They were in these crazy leopard outfits. I mean, Gaddafi is way better dressed than any pop star in the world.
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