Now it's almost as beautiful as Christmas [then Paula suddenly fell to the floor].. ..What a pity! [her last words]. - Paula Modersohn-Becker

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Now it's almost as beautiful as Christmas [then Paula suddenly fell to the floor].. ..What a pity! [her last words].

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About Paula Modersohn-Becker

Paula Modersohn-Becker (February 8, 1876 - November 21, 1907) was a German painter in Worpswede and one of the most important representatives of early German Expressionism. She frequently stayed in Paris and saw the work of modern artists there, like paintings of Cézanne and early Henri Matisse's.

Also Known As

Alternative Names: Paula Modersohn- Becker Paula Becker Paula Modersohn Becker Paula Becker-Modersohn Paula Modershohn-Becker Paula Moderson-Becker Paula Modersohn-Becker (pseudonym) Paula (pseudonym) Modersohn-Becker Paula Modersohn

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Additional quotes by Paula Modersohn-Becker

Please let your 'hot-blooded iconoclasm' slumber a bit longer, and for a while permit me simply to be your Madonna. It's meant to be for your own good, do you believe that? Keep your mind on art, our gracious muse, dear. Let us both plan to paint all this week. And then early Saturday I shall come to you.

If I could really paint! A month ago I was so sure of what I wanted. Inside me I saw it out there, walked around with it like a queen, and was blissful. Now the veils have fallen again, gray veils, hiding the whole idea of me. I stand like a beggar at the door, shivering in the cold, pleading to be let in. It is hard to move patiently, step by step, when one is young and demanding.. .I walk along the boulevards [Paris] and crowds of people pass by and something inside me cries out, 'I still have such beautiful things before me. None of you, not one, has such things'. And then it cries, 'When will it come? Soon?'

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What I want to produce is something compelling, something full, an excitement and intoxication of color – something powerful. The paintings I did in Paris are too cool, too solitary and empty. They are the reaction to a restless and superficial period in my life and seem to strain for a simple, grand effect. I wanted to conquer Impressionism by trying to forget it. What happened was that it conquered me. We must work with digested and assimilated Impressionism..

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