I don’t know what I’d like to do. That’s what hurts the most. That’s why I can’t quit the job. I really don’t know what talents I may have. And I don… - Studs Terkel

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I don’t know what I’d like to do. That’s what hurts the most. That’s why I can’t quit the job. I really don’t know what talents I may have. And I don’t know where to go to find out. I’ve been fostered so long by school and didn’t have time to think about it. My father’s in watch repair. That’s always interested me, working with my hands, and independent. I don’t think I’d mind going back and learning something, taking a piece of furniture and refinishing it. The type of thing where you know what you’re doing and you can create and you can fix something to make it function. At the switchboard you don’t do much of anything.

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About Studs Terkel

Louis "Studs" Terkel (May 16, 1912 – October 31, 2008) was an American author, historian and broadcaster.

Biography information from Wikiquote

Also Known As

Alternative Names: Louis Terkel

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Additional quotes by Studs Terkel

This is human. It happened before. The Spanish, in the Inquisition, under God, destroyed an entire population. What about the Albigenses ? It can happen again. We are all good people, but if we are led a little too far, we are going to believe everything we are told. We are ordinary people, who can also be weapons for evil Hitlers.

I think everybody should have a job, and the Government should see that they get a job. That WPA deal, that was a darn good idea. I was one of the lucky guys that didn’t need it, but this is what I believe. Everybody should work, but do what they want. I don’t mean this as a communist thing, maybe it’s socialism, I don’t know. Like I’m a musician. Just pay me to do concerts for nothin’. Let people listen for nothing. The Government should work something out so people have something to do. There are so many things to be done in these cities. You feel much better if you’re workin’ instead of gettin’ a handout. You’ll get self-respect, which is number one. Drama, dancing schools, musicians. . .. You could give guys like me jobs as teachers, to teach jazz. So you perpetuate what I’ve learned in my lifetime. You could give that to some younger person and let them carry on, make their own choice, but at least they’d have the background. It’s like studying history. It’s like being part of history. . . .

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