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" "Another leading senator that I degraded was Caligula’s horse Incitatus who was to have become Consul three years later. I wrote to the Senate that I had no complaints to make against the private morals of this senator or his capacity for the tasks that had hitherto been assigned to him, but that he no longer had the necessary financial qualifications. For I had cut the pension awarded him by Caligula to the daily rations of a cavalry horse, dismissed his grooms and put him into an ordinary stable where the manger was of wood, not ivory, and the walls were whitewashed, not covered with frescoes. I did not, however, separate him from his wife, the mare Penelope: that would have been unjust.
Robert Ranke Graves (24 July 1895 – 7 December 1985) was a prolific English poet, scholar and novelist. He is most famous for his autobiographical work Goodbye to All That, and works on classical themes and mythology, such as I, Claudius, The Greek Myths and The White Goddess. His father was Alfred Perceval Graves.
Biography information from Wikiquote
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The Cabbage White
The butterfly, a cabbage-white,
(His honest idiocy of flight)
Will never now, it is too late,
Master the art of flying straight,
Yet has- who knows so well as I?-
A just sense of how not to fly:
He lurches here and here by guess
And God and hope and hopelessness.
Even the acrobatic swift
Has not his flying-crooked gift.
Where is good English to be found? Not among those who might be expected to write well professionally. Schoolmasters seldom write well: it is difficult for any teacher to avoid either pomposity or, in the effort not to be pompous, a jocular conversational looseness. The clergy suffer from much the same occupational disability: they can seldom decide whether to use "the language of the market-place" or Biblical rhetoric. Men of letters usually feel impelled to cultivate an individual style — less because they feel sure of themselves as individuals than because they wish to carve a niche for themselves in literature; and nowadays an individual style usually means merely a peculiar range of inaccuracies, ambiguities, logical weaknesses and stylistic extravagancies. Trained journalists use a flat, over-simplified style, based on a study of what sells a paper and what does not, which is inadequate for most literary purposes.
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