[T]he task of science can never end till man ceases to be, till history is no longer made, and development itself ceases. - Karl Pearson

Step by step [aesthetic] judgment, restless under the growth of positive knowledge, has discarded creed after creed and philosophic system after philosophic system.

[B]ear these points in mind, the association of Death and Chance, the notion of both as chaotic in their action, and their embodiment in a great artistic ideal—the Dance of Death—which gave so much colouring to mediaeval thought and life. We find this sombre notion everywhere—on the church walls, on the bridges, in the engravings and s, but as well in the sermons, the poetry, and the very turn of folk-sentiment.

The scientific conception of chance is that of a measure based on experience; a knowledge of the average results of many events is used to replace ignorance of the result of any individual event. ...The judgment which Science gives in this case is decisive; judged by the so called "permanences," or runs of colour, Monte Carlo roulette is no true worship of the goddess at all.