The union of opposites, in so far as they are really complementary, always results in the most perfect harmony; and the seemingly incongruous is ofte… - Stefan Zweig

There are two kinds of pity. One, the weak and sentimental kind, which is really no more than the heart's impatience to be rid as quickly as possible of the painful emotion aroused by the sight of another's unhappiness, that pity which is not compassion, but only an instinctive desire to fortify one's own soul against the sufferings of another; and the other, the only one that counts, the unsentimental but creative kind, which knows what it is about and is determined to hold out, in patience and forbearance, to the very limit of its strength and even beyond.

When a man has a passion for a woman, and when that passion is of such a nature that he regards her with reverent admiration as an image of purity, none the less, in the unconscious, his desires turn towards bodily fulfillment, none the less the goal of physical possession is prefigured in the deepest recesses of his imagination. But when the passion is confined to the realm of the spirit, and, in that realm, is a man's passion for a man, how can it seek fulfillment? Unrestingly, the fancy wanders over the honored form, flaming up again and again to fresh ecstasy, but never finding repose in a last surrender. It flows on without pause in a current that can never empty the reservoir from which it comes. This passion is insatiable, as the spirit invariably is.

Ever since the war he's had a low opinion of people and of nations, they're selfish, all of them, without the imagination to see the injustices they're perpetrating. The idealism of his youth, a belief in the moral mission of mankind and the enlightened spirit of the white race that he took from the lectures of John Stuart Mill and his followers, was buried once and for all in the bloody mire of Ypres and the chalk quarry at Soissons where his son met his death. Politics disgusts him, the cool conviviality of the club and the showy self-congratulation of the public banquet repel him; since the death of his son he's avoided making new acquaintances. His own generation's sour unwillingness to recognize the truth and its inability to adapt to the postwar era anger him, as does the younger generation's smart-alecky thoughtlessness. But with this girl he's regained belief, a vague devout gratitude for the mere existence of youth; in her presence he sees that one generation's painfully acquired mistrust of life is fortunately neither understood nor credited by the next, and that each new wave of youth is a new beginning.