I belong to the generation of 1968, which, throughout the world, hoped to recast society on the model of the imagination. I have tried to learn from … - Roberto Mangabeira Unger

The cultural revolutionary wants to show how roles can be stretched, pulled apart, combined with other roles, and used incongruously. He acts out of a loosened sense of what it means to occupy a role. In this way he helps disrupt frozen connections among social stations, life experiences, and stereotyped forms of insight and sensibility. He thereby carries into the drama of everyday personal relations the effort to free sociability from its script and to make us available to one another more as the originals we all know ourselves to be and less as placeholders in a system of group contrasts.

People who can readily put on their agenda the foundations of the world they inhabit must be haughty, high-spirited, and even reckless. They must be secure in their inviolable independence. Yet the instruments of this independence must not smother the struggles that constantly offer them visible images of the connection between the forms of their life in common and the activities from which these forms arise and that cultivate the sense of mastery suitable to men and women who are neither masters nor servants.

The individual, his character, and his fate are for real. Each individual is different from every other individual who has ever lived or who will ever live. A human life is a dramatic and irreversible movement from birth to death, surrounded by mystery and overshadowed by chance.